Now an audience of more than 1 billion people is only a click away from every voice online, and remarkable stories and content can gain flash audiences as people share via social networks, blogs and e-mail. This radically equalizes the power relationship between, say, a blogger and a multibillion dollar corporation.
I have an idea about building almost like a studio for some of the best Tropfest filmmakers, so they can come together and support and be given space and resources they need to tell great stories year around, so it's not just about the festivals. You know, the sky's the limit with this thing, and I'm still making it up as I go along.
I've done a number of things based on real people or true stories or based on books, and I'm a great believer that you have to be true to the script.
My grandparents, like many genocide survivors, took most of their stories to their graves.
As long as we can tell stories about our ability to survive, the more we will hope, not self-destruct.
I've never really found inspiration for story ideas in the news, but I'd say it certainly affects our lives in so many ways. I would say that certainly the stories of the day appear in the work - I just have never gone so far as to say, well, this particular event could influence a plot of an entire book.
I really like when different stories are represented, it's not just the same kind of person, and when there's humor in it, and there's relationships.
I've always been involved with charities and things like that, but when I started communicating with the fans and hearing their stories about the lives they lead, it really made an impact on me.
I don't like the word 'abstractions' very much because most people don't think in abstractions. That is too difficult for them. They think in stories. And the best stories are not abstract; they are concrete.
I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.
It is not weird for a dad to be doing the dishes, the laundry, and taking the kids to school, and read them stories for bed.
We think we've got great stories and characters that will lend themselves to great standalone experiences, and that's the way we're focusing on it.
Individual storytelling is incredibly powerful. We as journalists know intuitively what scientists of the brain are discovering through brain scans, which is that emotional stories tend to open the portals, and that once there's a connection made, people are more open to rational arguments.
Unlike novels with a hero or two heroines, in 'One Amazing Thing,' all the characters tell stories they've never told anyone before, so all the voices become equally important.
Literary generations come and go, and each generation passeth away and is heard of no more. In the end, simply the making itself - of poems and stories and essays - delivers the only reward a writer can be sure of. And, perhaps, the only one that matters.
Stories that can be told through language and words don't need to be filmed.
There are a lot of love stories in 'Maggie's Plan,' but the deepest, truly romantic one is between Maggie and her daughter.
How many stories do you know about people cooped up in places because of deep snowfall? How many stories where something good happens to those people?
Shakespeare tells the same stories over and over in so many guises that it takes a long time before you notice.
'X-Men' films have always been big, and necessarily so, because of the stories they have to tell.
I prefer to tell stories. If it's funny, then I want to do it on stage.
I remember, when I was at school, we would have a 10-minute storytelling session where we'd all sit on the floor cross-legged, and the teacher would read. It became something we all really looked forward to. That was part of the reason I grew to love stories.
Children and teenagers don't easily relate to stories about kings and dukes, and to tell only stories about kings and dukes is to ignore the regular people.
My aunt Geraldine was the unofficial historian and storyteller. She had all the information about family members and the gossip that came out of the church because we were very much part of the African Methodist Episcopal Zion Church. At family gatherings, the older folk had the floor, had pride of place, and it was their stories I remember.
The more we're governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible. Or, what's impossible? What's a fantasy?
I always gravitate towards the independent side of things, just because those are the stories I always fall in love with, but you don't really get paid, and living in Los Angeles is expensive, and I have a mortgage to pay. So it's good to jump onto a studio film and then in all my other time do small passion projects.
I know I have a caption that I'm going to use when somebody tells me something I've never heard before. It's very rarely a thought, a philosophy, when somebody says, 'Oh, I don't like cheese' or 'Oh, I think the government should be overthrown,' because so many people share these thoughts. But what people don't share is stories.
By the year 1670, wooden chimneys and log houses of the Plymouth and Bay colonies were replaced by more sightly houses of two stories, which were frequently built with the second story jutting out a foot or two over the first, and sometimes with the attic story still further extending over the second story.
Kevin Hart. He's the man! I like his style. He's short, so I can relate. All the stories he tells are real. I respect that, and he's just a really funny dude - great comedy instincts. To do stand-up on a stage for an hour and tell stories and make people laugh is incredible.
While novels are fiction, mine are usually very close to my heart. Like my other books, 'The Lemon Orchard' is inspired by something I care about. I care so deeply. The stories are my dreams, and I want to do a lot of research. Roberto is based on a real live friend of mine named Armando who worked in my garden.
I like stories in specific time periods. 'The Revenant's' era of American history was fascinating because it was this lawless no-man's land. It defined the idea of the American frontiersman as man conquering nature. In a way, the story of Hugh Glass is about man dominating nature.
I'd like to think that we strive in film and theatre to tell great stories, and I believe in the power of storytelling in our culture.
The left brain is responsible for making order out of chaos, for making sense of things in the world that don't always add up. To do this, it often makes up stories, fantastic confabulations in some cases, just to be able to explain what we're experiencing.
I write these shows one joke at a time. There's no continuity. I do try to figure an order to the stories, but there's not continuity.
We think that - as kids, you know - that kids make up stories and live in a sort of fictional place, but that, as grown-ups, we tell the truth and live in fact. But, of course, the reality is we take the facts that we know, and then we fill in all the blanks.
I don't care about the size of the roles, or how they're marketed or billed or anything like that. I would love to be a part of stories that tell us about where we've come from, where we are, where we're going - with great directors.
