I realize that I live on the bubble of insanity. I feel the weight of human suffering, loneliness and despair on me all the time. It's not getting easier; if anything, it's always right on the edge of my skin.
I think art, especially literature, has the particular power to immerse the viewer or reader into another world. This is especially powerful in literature, when a reader lives the experience of the characters. So if the characters are human and real enough, then readers will feel empathy for them.
If your home is anything like mine, it contains several rarely explored crannies stashed full of archaic chargers, defunct cables, and freshly antiquated gizmos whose sole useful function in 2011 is to make 2005 feel like 1926, simply by looking big and dull and impossibly lumpen.
Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.
You know how you feel somebody looking at you, and you turn, and somebody actually is? It's the same at an art gallery. You're looking at one portrait, turn around, and there is a work of art directly behind you. Because it's all energy. Every single thing has energy.
I can get on with all different sorts of people, and I never feel homesick, particularly, or I've never felt kind of patriotic towards any one country.
If you step out and do what you feel is right... and you're not attacking a person, and you're attacking a process, and you're attacking the status quo... and if somebody wants to hold a grudge against me, that's on them. It's not on me, and I'm going to do what I think is right.
But I'll never be one of those women who feel that they always have to wear earrings and aren't properly dressed without them.
There is no way I could ever look somebody in the eye and say that I can make them feel good about the fact that they are losing their job.
I feel like, if there's an elephant in the room, I'd really like to start off by introducing the elephant in the room. And sometimes it's funny.
I like skateboarding. I'm here on this planet to skateboard; I feel this is what God wants me to do. I just live it. I get hurt all the time. I break bones. It's just all part of the process.
I find Australia compelling and vexatious at the best of times; I've never been able to get it out of my system since going there as a young lecturer, and yet however much I love revisiting it, I always feel I have to leave again.
We who follow the Honorable Elijah Muhammad feel that when you try and pass integration laws here in America, forcing white people to pretend that they are accepting black people, what you are doing is making white people act in a hypocritical way.
I'm typically attracted to men or male-identified people 99% of the time. But I guess if I had to pick a label for it, I don't know know... 'Gay' doesn't really work anymore because it means when a man loves a man, and I don't feel like a man. That doesn't super work for me anymore.
I actually grew up with people from all over the world. There wasn't enough of a difference to feel different from anybody else. Their grandmother hollered at me like my grandmother hollered at all the kids when anybody did anything wrong. And their parents did the same thing.
Why should blacks feel elated about seeing men walk on the moon when millions of poor blacks and whites don't have enough money to buy food to eat on earth?
Part of what I like about the best villains in TV and film is when you feel sorry for them, and that makes you feel even worse for feeling guilty about wanting them to succeed, in some way.
I don't think anyone doubts my motives, really. I do what I do and it's not very complicated. Of course, you might hate the music that I make, but I don't think people feel threatened by me just getting on with what I'm up to.
People tend to treat people with disabilities sort of like they're aliens from another planet. It doesn't come from a bad place; it comes from a place of, 'I have no idea what this disability entails, and I don't want to offend anyone or make them feel awful.'
I feel the pressure of getting something right.
I think what's exciting about playing a villain - particularly a villain who's totally unapologetic about their evil intentions - is that it's not anything remotely like what you get to do in real life. You're never allowed to be evil and not feel bad about it afterwards, let alone be evil, period.
I'd feel bad if I had you come into a theater and you leave feeling ripped off.
So often, in my life, when you play a joke on another actor, you say, 'Hello? Steven Spielberg? It's for you.' What's it feel like? It's bizarre. He feels like he's a friend. He feels like he's some kid in the neighborhood who has a camera and makes films, now and then, and says, 'Would you come 'round and play?' It doesn't feel grand at all.
My days are filled with writing, reading, and being a mom. Some days, I get to visit schools around the country and talk about what it's like to be a writer. I often feel like I'm pretending, because it's still hard for me to believe it when I see someone holding a book that I've written.
I take the kids to church and Sunday school. They love it. I really think it's important for a child to feel that there are things that are bigger than your life out there.
Put me in a costume, and I'm your man. I must have one of those faces which seems to suit period drama more than modern films and TV programmes. But I'm not complaining, I love going back in time. I feel quite lucky because nobody knows who I am. I can walk about and have ordinary conversations with people.
I always wanted to do something related to the camera. When you are young, these are dreams you feel embarrassed talking about. You don't want to be made fun of. That would leave a scar on an young mind.
I didn't have that typical high school experience of feeling ashamed of who I was. I once wore a superman cape and pajamas, and I thought that was awesome - and some people didn't! But some people did, and it was an arts high school, so nobody made me feel bad about who I was.
Sometimes if biography is too head-on, it can feel too obvious.
I think it speaks of all women having those few special things that make them feel feminine. And so when I was a little girl, I would associate Guerlain with that.
Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity... but there's a feeling that life is interconnected, that there's life in stones and rocks and trees and dirt, like there is in us.
I dress how I feel. I just go off emotion. I can't prepare my outfit a day before. Everything I wear is spontaneous.
I think that when moms just give themselves up, the kids know. They feel guilty; they resent their mother for making them feel guilty, and then they grow up and do the same thing. Whereas my mother showed me that it's okay to focus on yourself.
To me, it always comes down to character and script and then director. If a character belongs to me, it's mine. We belong to each other, and I feel a fierce need to tell that story, and it just so happens that a lot of these characters have been residing in pretty dark worlds.
I feel like a lot of comedians do have that deep, dark thing. I have my stuff, but I don't go to that dark place.
I don't feel as if I belong to an age group.
