Detachment produces a peculiar state of mind. Maybe that's the worst sentence of all, to be deprived of feeling what a human being ought to be entitled to feel.
When it comes to losing with United, I feel solely responsible for it. I can't help it. My brain will work like mad after a defeat. I want to know where I have made the wrong decisions, how I could have changed things for this fantastic club.
My first job with a network was 'General Hospital,' and that was ABC. I feel like I have so much history with them, that they treat their shows well and they have good, discerning taste.
I can't always control my body the way I want to, and I can't control when I feel good or when I don't. I can control how clear my mind is. And I can control how willing I am to step up if somebody needs me.
You get the feeling that many of my guests feel that the French language gives them entry into a more cultivated, more intelligent world, more highly civilised too, with rules.
This is going to sound completely absurd, but I do sometimes feel like the enjoyment of an awards ceremony or the pride in the finished article hasn't ever surpassed the joy of doing the work, of making it. The doing it is really the bit I'm there for.
If you feel anything weird, immediately call 911 and give them your address because you may not make it past the phone call.
I can't tell you how lucky I feel. I've gotten to work Peter Facinelli 'American Odyssey,' and I got to do 'My Big Fat Greek Wedding 2' - which really gave me such a tremendous amount of pride and patriotism, and it was very close to my heart. I've really had such great support, so many great teachers, and so many wonderful people surrounding me.
Instagram is just something I like to do. I feel it's the best way to portray who you are.
Forget not that the earth delights to feel your bare feet and the winds long to play with your hair.
I feel like every time a door is opened by science, suddenly there are a hundred doors that need to get opened. That's what makes it an everlasting, interesting experience to go through.
Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.
I did feel like they were telling me that something like that was going to happen. Not specifically - not that planes were going to be flown into the World Trade Center or anything like that - but in the general sense.
I want you to feel happy and enjoy the theatre of my life the way that I do. No matter what happens with my music and wherever I go - that heart of that glamorous girl in New York will never be gone.
I am blessed to be doing what I do. So if I have to be at a photo shoot, do an interview, or make a TV appearance, I am not going to sit around whining and complaining about how I don't want to get up early or I don't feel like talking.
I wasn't really interested in doing anything except going from pilot season to pilot season and sowing my oats in the months between and telling my agency to stop sending me movie scripts, because they'd pile up in my house and make me feel guilty because I had to read them.
Playing characters who are wonderful and beautiful is hard because you don't feel like that most of the time... well, I don't. It's like this whole heart-throb nonsense. It's flattering, but that's not how I feel in the morning. It's something that goes with the job.
I do feel like a loner but I think it's because I look at things differently than other people.
The average European does not seem to feel free until he succeeds in enslaving and oppressing others.
I don't obsess about my weight. I just know I've got to watch it when my pants feel tight.
I've never had as much success as when I say to myself, 'I get that. I know what the feelings that that character would be going through would be like. I can feel a through line from beginning to end.'
I could never change the overall feel of my music. That's why people like me - I don't follow trends, and I don't follow crowds.
I'm now beginning to feel that the pessimistic vision is not for the movies.
You feel the Olympics and you get chills and nervous and a little scared. You go through the emotional roller coaster at what it's like to compete at the Olympic level and you let that run through your whole body.
In my college days, I went wild with my hair. I dyed it every color in the book and, quite naturally, my hair would break off from all the damage. When our hair breaks off, of course, there's only one thing to do - braid it up. I wore braids for a while and would always feel like I just never knew what to do with my hair.
I feel sympathy for the working class lad. I've always championed about ticket prices and try to equate that to people's salaries.
But often times, I feel like I'm so blessed, it's not fair. That what I'm doing is not contributing to the good of the world.
When you look at Regis, he really and truly does feel for those people, and I feel like I've done it too. You're giving away somebody else's money so what do you care? It's not your money.
I don't know what leadership is. You can't touch it. You can't feel it. It's not tangible. But I do know this: you recognize it when you see it.
I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So, for me, I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.
L.A. really doesn't feel like home to me anymore.
The hardest of all is learning to be a well of affection, and not a fountain; to show them we love them not when we feel like it, but when they do.
Once people see this 'Unplugged,' I just want them to feel the spontaneity, to feel passionate... I want you to see another side of me, that's free, and feel where my head is, where whatever happens, happens. I want you to feel inspired.
You never hold back. If I turn up to the track and feel cautious or not committed, I turn around and go home. If you don't have that full commitment when you're pedaling into a 40-foot jump, there's not much room for error, and you'll come off worse.
As a director, I never feel that I have the answers.
Most of the music you hear on the radio today is developed for making money. It doesn't feel true or honest. You can feel it in the music.
