It was a sad process for me to become a mom, and a long process. I felt so embarrassed that I couldn't have a biological child.
For 'Blue Jasmine,' I made a decision not to wear any make up in the last shot of the film, as I felt like she had such a mask on - I thought it would be a good idea to leave her with nothing and become completely transparent.
I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
I kept writing not because I felt I was so good, but because I felt they were so bad, including Shakespeare, all those. The stilted formalism, like chewing cardboard.
As late as the early '50s, jazz was still, for the most part, a genuinely popular music, a utilitarian, song-based idiom to which ordinary people could dance if they felt like it.
Before the surge started, frankly, after I left Iraq towards the end of 2006, I was worried that we were losing the war. But after the surge, I felt that we succeeded.
Whatever you think about me, I was pretty open about how I felt about people.
In the early days, I really felt the pain of not being able to find information easily. I guess that helped me to develop an urge to write things like a search engine.
I grew up in a household where I learned five things from my old man. You know what they were? You're no good. You're a failure. You're not going to amount to anything. Don't trust nobody, and don't tell nobody your business. When I lost to Larry Holmes in 1982, I felt all five of those things smacked me right across the face.
I can recall, as a young adult, running through the rain forest at the Forest Reserve, at times feeling a sense of fear when I felt I was in danger. In danger of confronting an ugly snake or a coral snake, which represented the greatest fear of someone in a rural area when you traverse the forest.
The real achievement of Woody Allen was that he was making movies that felt very personal, and for a whole group of people, it spoke to them. Then he became an archetype, like Groucho Marx or Chaplin.
The rise of King Crimson was so fast that, to me, it felt as if it was going out of control. And it was going so fast that I couldn't keep up with what was happening.
In 1973 I became heavyweight champion of the world with 38 victories, no defeats as a professional. You get to a point where you think you cannot lose. I felt like I had the greatest power with my fists, I was the strongest man in the world.
I was a little-known political consultant until Bill Clinton made me. When he came upon hard times, I felt it my duty - whatever my personal misgivings - to stick by him.
In my life, things have happened to me. I've never felt I was controlling anything.
I've always felt writing a song was a bit like going on location. That's true in an almost literal sense. Where you are seeps in somehow.
My family and I took visits to each and every school and listened to each coaching staff. I felt the most comfortable with and really excited about playing at SC. Being close to home in one of the best offensive systems is paying off now as I'm making the jump to the pros.
So here is one of my theories on happiness: we cannot know if we have lived a truly happy life until the very end. This view of life and death was reinforced by my close witnessing of the buildup to the death of Philip Gould. Philip was without doubt my closest friend in politics. When he died, I felt like I had lost a limb.
I worked my butt off in high school and received a lot of scholarships for college and to throw all that away for acting was tough for my family, but it was just something I felt my heart pulling me towards and don't regret a single minute of it. I love to act!
I always did plays. When I was in kindergarten, I got chosen to be Alvin in 'The Chipmunks.' We did a Chipmunks song. I was always a natural performer. It was easy for me. I danced and I sang, and all that stuff. I felt like I'd be something in the arts, but it vacillated between being a dancer and a singer, or whatever.
I wasn't a big fan of Instagram at first. I felt it was watering down the way music is perceived 'cause it made things seem more normal.
All of the narration in 'Smile' is first-person. Most of the books that I grew up reading had first-person narrators for some reason. My diaries were written in this voice, and since this story is autobiographical, it just felt like a natural extension.
When I was 16, 17, 18 years old, I felt like I had seen it all and done it all, and I was really kind of negative about everything.
I wrote a draft of 'Playboy' for Warner Brothers, and it was impossible to really be independent of Hugh Hefner. In the end, Hugh Hefner was unable to take the back seat required to be able to write something about him that I felt I could do.
There have been times when I've been broke, and a job came along, and I've said, 'Yeah! Let's do it!' But I will never do something without having a feeling of knowing how to play it. I've been in projects that I felt terrible about afterwards, but I've always had something that sparked me while I was doing it.
I still carry the residue of the pressure I felt as a child to read and appreciate the right books. Growing up, I never allowed myself to read beach reading. I was always plowing through Ford Madox Ford's 'Good Solider' or something I wasn't equipped to understand.
I saw the discrimination that was happening towards Middle Easterners, Muslims and other brown people who had nothing to do with 9/11. It suddenly felt like a duty of mine to talk about some of the crazy things that were going on and make fun of how stupid it was.
I was very, very little - it was the first time I ever cooked on my own, with my mother's supervision - and I made scrambled eggs. I felt so accomplished, like magic!
I always channeled what I felt emotionally into skiing - my insecurities, my anger, my disappointment. Skiing was always my outlet, and it worked.
Everyone thinks England and America are the same, as we have the same language, but I felt like an alien as an English person living in America.
I used to feel unsafe right in the moment of an accomplishment - I felt the ground fall from under my feet because this could be the end. And even now, while everyone is celebrating, I'm on to the next thing. I don't want to get lost in this big cushion of success.
I went to dance class as a girl because I didn't like sports, but I never did a dance recital in my life. Never, ever, ever. I felt comfortable dancing, and I was happiest dancing, but I was never the best person in the class.
I grew up in a family of strong women and I owe any capacity I have to understand women to my mother and big sister. They taught me to respect women in a way where I've always felt a strong emotional connection to women, which has also helped me in the way I approach my work as an actor.
We give speeches and pin ribbons onto uniforms, etch names into walls. And all that is fine, but too often, all those tributes, all those words aren't always backed up by action. And that felt like such a stark contrast to me, because, as we all know, our military is all about action.
I felt very fulfilled after doing 'Vicky Cristina Barcelona' because I'd always wanted to work with Woody Allen. That was like a lifelong dream, and that was thrilling for me, to enter that world.
I grew up in Harare, Zimbabwe. And I had a pretty idyllic childhood. I felt that I was kind of this outspoken girl, I was considered. I was a girl who talked a lot and didn't think my voice had any less value than anyone around me. Apparently, that was strange.
