Yeah... I like films, I like movies, I like playing different characters and working with different actors and filming in different places. I like movies because it's kind of a combination of every art: it's like, it's picture, it's story, it's music, it's kind of like a clash and a collide of every art. It's really neat.
I've signed on for four movies, and I'll do four. That's easy. No complications there.
I just gravitate to movies where the mystery is the character himself. Any time you see a trailer of something where somebody is questioning 'Who am I?' I'm hooked.
My parents don't really watch movies at all.
The thing with movies is, because you have so little time, I always feel like there are more things we could've done with the character. If we'd done a sequel to 'The Thomas Crown Affair,' what would that have been like? But for the most part, you try not to think of that, because it's just going to break your heart.
My mom had gotten a Super 8 camera to make home movies with, and my brother and me got our hands on it and ran with it.
I cry at movies.
My movies are unadorned, they're not particularly fancy, I think they're kind of workmanlike in some ways, focusing on the writing and the acting.
If you want to be in Hollywood, and if you want to make big international movies, you have to be able to make movies that don't have anything to do with social status or politics. To limit yourself to just do these little small movies and call it black cinema itself is a mistake to me.
I've followed Gary Oldman his whole career... I've watched the movies he's directed, like 'Nil by Mouth' - I've seen that five times!
I'm home schooled, and I have a teacher that goes with me on all my movies.
I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.
Adding sound to movies would be like putting lipstick on the Venus de Milo.
George Raft may or may not have gone both ways, but he was very sensitive to what they said about him, and it was one factor why he decided to play all those gangsters in the movies.
I've always wanted to write movies - I always used to tell my mom that I wanted to be a director.
I was sick and tired of being an English actor who did a lot of American movies because I was cheap and good.
I never thought, in my lifetime, that you'd be able to watch movies, read books and listen to music from a phone, but I guess the technology of tomorrow is here today.
When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.
Nowadays it seems more and more like the 'business' in 'show business' is underlined, and there are campaigns, and it's all part of getting people in to see the movies.
I notice when I'm at a party where I don't know anybody - even if I have nothing in common with somebody - we can still talk because we were raised by the same TV and cartoons and movies.
The movies are all about visual, and television is all about character and dialogue.
I can't leave home without certain movies. 'The Godfather' is a big one for me. And I've gotta have my beats so I can write new music.
When I'm acting in TV or movies, I'm a character. But when I'm doing music, I'm Trevor Jackson.
Since I was 4, Julia Roberts has inspired me. I thought if I liked her enough, I'd become as pretty as her. That didn't happen, but I was obsessed and watched her movies over and over.
I watched movies, obviously, just like anybody else, but there was nothing to make me think, 'I'm going to go to L.A. and become a movie star,' or anything like that.
A lot of times I'll make films that are mostly character-driven films - stories that involve people. Like, I make the joke: I like to make movies about human beings that live on Earth.
My movies are not messed with by the studios.
In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us.
The highest grossing films have great, moral messages - not dirty, base themes, so we're trying to get producers to make more of the uplifting movies.
I was in the movies. I danced, I sang, I learned to work in front of a camera. It was like being in a repertory company.
There was a time - before I made movies - when I was more forgiving, but now that I've learned as much as I have, I want to do movies that I want to see, that have their own unique flavor.
Technology has not only changed the way people are able to view movies, it has changed the way our industry produces and advertises movies.
I like the good feeling movies.
I'd imagine if there were more Scottish people making Scottish movies about Scotland, it would not only be educational, but it would instill a sense of pride.
I would be very happy doing movies. I love to work and I think I'm a little different.
I compared pooh-poohers of the movies to the myopics who used to holler, 'Get a horse!' when an early automobile exploded by.
