My dream role would be to play a Korean hero in a Hollywood superhero movie.
One of my favourite kinds of movie is the American picaresque, in which the characters make their way across the country, learning about life against the gorgeous backdrops of that vast land.
There is something wonderful about turning up every day and knowing that not just the character but the whole movie kind of rests on your shoulders. And there's great satisfaction when you think it's going well and then real terror when you think it's not.
What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.
I'd rather do one day on a really cool movie than six months on something crap.
My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression.
That's the thing about leaks: sometimes they aren't misinterpreted or false. They're real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater.
My dad teaches film and has done for 40 years, so I've really grown up in a movie household. All the walls are covered in movie posters, and many of the evening meals at 7:30 revolved around film discussions.
I would rather turn my head and cough than see any part of 'Patch Adams' again. The title of this movie should have been 'Punch Adams!'
'Love Aaj Kal' is not really a road movie, but it does involve some travel.
A very high bar has been set with Robert Downey in 'Iron Man.' That idea was, find the best actor for the part, regardless of whether they've been in a movie like this before.
We go to the theater to be entertained, but if what is left after you watch the movie is a sort of eye-opening perspective on some social issues, then it can be a really powerful piece of art.
It means nothing if the movie doesn't get out there.
A home movie of a fictional home life, an epic assembled from vignettes, 'Boyhood' shimmers with unforced reality. It shows how an ordinary life can be reflected in an extraordinary movie.
Don't ask super goofy questions at the premiere of a very serious movie or try to have an in-depth political discussion at the opening of a new fashion boutique.
I think I was, like, maybe frustrated for many years because I didn't try to direct. And since I made my movie I'm just like, 'It's great.'
I didn't really want to be a movie star. I thought they were so screwed up!
You don't try to do anything that Morgan Freeman does. He was the voice of God in a movie. That's Morgan Freeman!
I love living in Burbank. It has major movie studios, huge media empires, but the city still feels like a mom-and-pop town. It's not pretentious at all. It doesn't feel like a big Hollywood town, and it has every right to be, but it's very friendly and easygoing.
If I did the structure and had this thing about a straight character, I would never have a sex scene to prove that he's heterosexual. If I have a gay character in a movie, I need to have a sex scene in it - just to prove that he's gay?
There's an old saying that you don't ever finish a movie, you abandon it, and I really believe that. I never walk away from a take and pat myself on the back.
If you stood me in a costume next to a computer graphic of the same-looking character, I think there would be a difference. And many movie fans I've spoken to would rather see an actor in a costume than CG.
I don't think 'Guts' could get financed as a movie.
The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.
If I'm in the bookstore, and I see a 700-page novel, my first thought is, 'Ooh, how could you cut this down to size and make a movie out of it?'
I'm a good authoritarian figure; I don't know why. 'Can you be a cop?' Sure. 'Can you be a Marine?' Absolutely. Well, at least in a movie.
I love stories that exist in this amped-up, personal world - sort of like 'Pee-wee's Big Holiday,' actually. That world really only exists inside that movie, but what a wonderful little world it is.
The interesting thing about Cleopatra is that she is such a shape-shifter. I mean through history we've all molded her to our times and our places. So there's room for a movie for her, but I don't think it will hew to the book.
There's a level of sophistication of filmmaking that's mind-boggling. Anything you need for your movie, there's an establishment that can make it happen really fast.
When you start a movie, it's not like other kinds of work that you have when you know your boss for years or colleagues for years. You're meeting everyone, mostly, for the first time. You have to get comfortable with those people so you can perform, because the first thing that is going to shut you down is any kind of anxiety.
There's nothing worse than the sequel that's a letdown from the first movie.
Uh, I do not wear a wig in 'Star Trek' like I did in 'Bottle Shock,' thank God. 'Bottle Shock' will be the last wig movie I ever do.
When I tell my friends, 'I'm in the 'Bourne' movie,' they're like, 'Congratulations! Wait... is Matt Damon coming back?' I go, 'Yeah.' And they're like, 'Yo! Matt Damon! Matty D!' Everyone pretends they know Matt Damon. It's exciting.
I see everything like a movie. I laugh and cry, I smell, touch, see and describe my own experience. I don't care if this sounds strange; I am not the creator - I am only the channel. The story is given to me.
One movie I come back to time and again is 'The Hustler.' I don't think there's better dialogue in any film.