It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
Around 5th and 6th grade I thought Dean Martin was the coolest guy in the world; he was a great singer, had his own television show and acted in movies.
When a television show like 'Scandal' becomes the biggest show in recent history, suddenly advertisers and networks want to jump on that. And what it's showing is that people want to see diversity.
I love 'The Wire'. I can't think of a television show that I think is superior to it in any way. I was obsessed with it from the moment it came on the air. I do also love 'Doctor Who' and 'Get Smart'.
If your ethics in the military, in your training, is going to be counterminded by a one-hour weekly television show, we've got a really big problem.
I've appeared on a weekly syndicated television show since 1980.
Hill Street Blues might have been the first television show that had a memory. One episode after another was part of a cumulative experience shared by the audience.
Usually, when you are an ethnic person or a trans person, in your average, everyday, unsophisticated television show, you are there for that reason. And they clearly justify and overexplain why. You very rarely see a transgender actor playing the part of a grocery-store clerk without having to say, 'Oh, look at that trans person.'
Time is money, as they say, and it was never more apropos than on a television show, where a minute is worth about $200!
Any actor will tell you there's more of a schedule to doing a television show. That's why you'll notice a lot of big movie actors are doing television, and they'll tell you, it's because of the schedule.
Making a great television show is hard enough. To also tackle F. Scott - whoa.
They both go together; you can't be in front of the camera hosting a fitness television show in front of 75 million households and not have trained 6 days per week year round - in a bikini no less.
I had started calling her Lucy shortly after we met; I didn't like the name Lucille. That's how our television show was called I Love Lucy, not Lucille.
In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.
I have to be careful of what TV shows I choose, particularly ones that have commercials in them, because it's going to be a different kind of television show.
The power of story and the power of a well-crafted film or television show is really all you need to speak to people. I think Hollywood is sort of catching up to that.
I work from a deep sense of insecurity. I have the belief, and I can't shake it, that there are endless reasons to turn the channel. There are hundreds of channels and entirely other things to do besides TV. And if you make a bad television show there's no reason for the audience to come back the following week.
I feel like, with a television show, you're always biting your nails hoping you're going to get that next season.
The comic is today's western, so many movies, and I think that if actors want to optimize their longevity, it's important for them to meet the fans because those fans are so loyal and will show up at any movie or tune in to any television show they're on.
I never tire of the heroes that I knew growing up. The fun is not that much different from doing a television show: You're stuck with a certain set of rules, and then, rather than trying to break them, it's just trying to peel away and see what's underneath them. That to me is really fun.
Year Two is a critical year for any television show.
I didn't have parents who were, you know, racing to get a reality television show, you know? Or looking to benefit in some way from their daughter's fame.
I messed around in high school, but I pretty much put it away until I did a television show in San Francisco.
I am perhaps unusual in that I came to 'Doctor Who' through the numerous novelisations and not through the television show.
My ex-boyfriend said, 'You have a better chance of getting elected to Congress than getting on the staff of a television show.' Which was the perfect thing for him to say, because my entire career is, 'Well, screw you.' And we broke up.
I felt pretty good growing up. I didn't feel a lot of prejudice or racism. But I do remember, if there was going to be a movie or a television show with Asian characters, I would go out of my way to avoid them, because they portrayed all Asians as either ridiculously good or ridiculously bad; you know, the whole Charlie Chan-Fu Manchu thing.
'Beverly Hills Cop' opened up a whole world. I got the television show and movies, and I would go sign autographs for one hour and get paid $25,000.
My favorite television show has changed throughout the years. I used to think 'Married... With Children' was really funny. But now that I've gotten older, it's 'The Golden Girls,' believe it or not. That shows kills me.
Being on a successful television show is a good thing. It's steady work. It's a chance to work with a group of people in an intimate way... where you develop a sort of shorthand with each other, and a trust.
There's so many things that can go wrong in the execution of a project like a television show or a movie, so many little elements, any number of things, all the way to marketing - like they could market it poorly and nobody finds it and down it goes.
Sometimes doing a movie for a short period of time is better than committing eight months to a television show.
My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.
You'll find that all WWE performers, when they go on to any television show or set of any kind, we're more prepared that we get credit for. We don't get enough credit.
To David Lynch, any film or television show should be life casting a shadow.
By all standards, except for 'Star Trek' standards, 98 episodes of any television show is a wildly successful run.