Zitat des Tages über Fender:
Playing a Fender is an art itself. They're always going out of tune.
I have an electric Fender and a Telecaster. I have a Taylor and a Martin. I want to get more guitars for more sounds.
The first amp I had back in the '50s was a small Fender.
In early '57, I bought a Fender Telecaster.
I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.
I was not a great guitarist, so I sold my 1960 Fender Stratocaster in exchange for a Shure Microphone, made in Chicago, and a flute.
Some guy hit my fender, and I told him, 'Be fruitful and multiply,' but not in those words.
I've got a Fender Concert amp from the '60s, the one Joe Osborn used. He played his bass through it.
My first guitar, a Fender Jazz Master, I traded it in for a Les Paul Deluxe.
I was playing a Fender Telecaster when I first joined.
My guitar is a mutation between a classic Fender Stratocaster guitar, which I played for years, and a Gibson solid-body like an SG or a Les Paul. It contains all sounds of the basic classic rock n' roll guitars. It does what I want it to do.
Without the Fender bass, there'd be no rock n' roll or no Motown. The electric guitar had been waiting 'round since 1939 for a nice partner to come along. It became an electric rhythm section, and that changed everything.
Out of all the guitars in the whole world, the Fender Mustang is my favorite. They're cheap and totally inefficient, and they sound like crap and are very small.
I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
I play a Fender Jazzmaster and three stacks and a combo, two old Marshall Plexis and a Hiwatt combo and a Hiwatt combo with Marshall cabs.
