My family... always had the value of the family table and these cultural influences of growing up.
After everything happened, we all got super tight. I can't deny it. We all just love each other. James Garner and David Spade came on and we fell in love with them too. We've just become a family all over again. We don't want to lose anyone again.
I grew up in an era where the record companies just sold records to everybody, and the whole family bought songs.
I grew up in a very old-fashioned Roman Catholic, Italian-Irish family in Philly.
Art and activism seem to go together naturally, the idea being that if you're an entertainer, you can have a voice, and if you have a voice, you can make a difference. But if I were not an actress, I would still try to extend myself beyond my little micro-universe of my job, family and personal joy.
It is impossible to forget the sense of dignity which marks the hour when one becomes a wage-earner... I felt that I had suddenly acquired value to myself, to my family, and to the world.
My family were broadminded enough to support me when I wanted to pursue a life in the theatre.
'Dancing With The Stars' is a little family. The cast, we're all together - we're a really friendly competition.
Well, I made an announcement to my family at 8 that I wanted to be an actor, and I focused like a laser beam on it. I never had a fallback plan.
We must search out totally new ways to anchor ourselves, for all the old roots religion, nation, community, family, or profession are now shaking under the hurricane impact of the accelerative thrust.
I was the youngest of four kids, and Dad, who had a garden centre before he retired, came from a large Lancashire family. Every one of my uncles had their own business, including a post office, two fish and chip shops and a painting and decorating business.
It's hard to keep family life and workplace separated.
I believe in energy like dark energies. I believe that when a family moves into a house where six murders took place, there's going to be some bad juju in that house. But then again what the hell is wrong with you to be moving in that house to begin with?
I was the first boy in the Kennedy family to graduate from college.
They've really got to recognize that all of us bring some of our family issues to work and our work home.
In every age there has been a stream of popular opinion that has carried all before it, and given a family character, as it were, to the century.
Most things in my life I had before leaving home. Values, support, great family. I was shaped at an early age. A musician playing guitar, I wanted to be a folk singer.
It was a very hard life. As I got older, the family was depending very much on me. My two older brothers got married, so they had their own families depending on them. I had seven people relying on me, so I worked in a grocery store.
To me, money is the ability to create lifelong experiences for my family and myself, to educate my children and a way to give back to humanity.
Having three brothers in the league has been real fun for the whole family, and we're just trying to keep it going.
I don't think anyone has a normal family.
Since I'm always working, my best holiday memories are definitely when I can just go home and spend time with my family.
It's always easier if you have the support of your family, if you're not alone. I came from a country that has been through a lot of troubles in the last 20 to 30 years, but we have been through them together.
I used to worry, 'I've lost my family.' They hated me for a while, but they're very resilient.
The concept of monogamy is an inheritance of a medieval time, when family would carry the tradition of the name and certain privileges. It's a way of organizing society, perhaps.
I'm very pro-American - my entire family escaped poverty in Italy because they rightly believed in the American dream.
Life is about family and technology.
The experience of both acting and producing has been wonderful. It certainly has created a full plate. But it is very exciting and rewarding to have creative input on the show. 'Reed' is about love and family and for me, playing a hand in shaping it has been deeply gratifying.
I was born in a very poor family. I used to sell tea in a railway coach as a child. My mother used to wash utensils and do lowly household work in the houses of others to earn a livelihood. I have seen poverty very closely. I have lived in poverty. As a child, my entire childhood was steeped in poverty.
You have a new role: family caregiver. It's a role nobody applies for. You don't expect it. You won't be prepared. You probably won't even identify yourself as a caregiver.
In the Sanghi family, there is no one who has undertaken intellectual pursuits.
My ambition is to not have to work any more. In 10 years I want to stop, and I want to be living with my family, taking care of my house. I want to be a housewife.
I have a memory problem. My family and friends call me Lady Ghajini.
Adoption has been a part of my life and a part of my family, so it was how I wanted to start. It felt natural and right to me.
Happy the man who, like Ulysses, has made a fine voyage, or has won the Golden Fleece, and then returns, experienced and knowledgeable, to spend the rest of his life among his family.
Most of my characters are an amalgamation of people that I've met, my family, or myself. Being a writer, you can draw only from what you know. I am lucky to have really rich and interesting people in my family for, you know, interesting family nights and great characters.
