I realized little by little that words are very powerful, and taking those words to encourage people rather than tear them apart was the desire of my heart.
I was on Instagram or something, and I checked my tagged photos, and I realized that suddenly they were all LGBT artwork. I was like, 'Oh, my God!' I had no idea. It was the first time I realized I was a figure for that community.
I was anxious before I decided to go back to acting about what I wanted to do with my life. Once I realized I was sort of interested in acting, I've been pretty lucky and had all these great parts. And I feel pretty much like, 'What will happen will happen.'
At some point, I realized that you don't get a full human life if you try to cut off one end of it; that you need to agree to the entire experience, to the full spectrum of what happens.
To me, what I realized when we were doing 'Spinal Tap' - and the four of us wrote that - is, really, the core of that is the relationship with the two guys who grew up together and that strain when the girlfriend comes in. If that wasn't there, it's a very different movie. Then it's just bumbling guys stumbling along.
As I read more and more fairy tales as an adult, I found massive collusion between their 'subjects' and those in my fiction: childhood, nature, sexuality, transformation. I realized that it wasn't by accident that I was drawn to their narrative structure and motifs.
As the weeks went on, I realized there was an important role comedy would play in healing the tragedies of September 11. Comedy can help people cope, and many people were coming to the clubs to laugh out the stress.
I realized very young that I loved reading and wanted to do something related to books/reading for a living. I didn't think of publishing, really, until I was out of college.
Along my path, I've realized that this comedy/drama balance is something that's really interesting to me, and I feel, like, authentic to my voice.
Chemistry cannot be manufactured or forced, so Wild Flag was not a sure thing, it was a 'maybe,' a 'possibility.' But after a handful of practice sessions, spread out over a period of months, I think we all realized that we could be greater than the sum of our parts.
I'm not gonna be able to grow a beard. I've realized my limitations as a human.
I used to sit on the other end of Pennsylvania Avenue and wonder why the Senate was always going into recess, until in my first year I realized how intense the pressure was.
After working for a while, I realized that acting was only satisfying about 30 percent of what interested me about the filmmaking process. Somewhere around age seventeen, I started to realize that if I'm very particular about the people I work with, then I can have the best sort of master class possible.
I started playing violin when I was six, so I thought I could be a professional. It wasn't until I was 15 when I got into acting classes and realized this was what I wanted to do.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
The moment that I realized my name was going to be said in the same sentence as children and sex, that's really intense. That's something I knew from that very moment, whatever happens past that point, something's out there in the air that is really bad.
Sometimes you revisit things and relationships, and then you get going on in it, and you realized that there is a reason this ended.
I went to grad school in San Francisco, and then left for New York City with my eye on Broadway. I had saved $5000, which seemed like a lot of money in my mind... until I realized it was going to take $2500 to get to New York and then the first and last month's rent.
I realized that I get pleasure when I'm told, 'Don't listen to the haters; they're losers in their moms' basements.' I imagine these 'losers' and feel better about myself. Their insults hurt less if I label them 'pathetic.' I diminish their value in order to protect mine. I noticed that I'm quick to make a joke at someone else's expense.
FNM didn't really become one of my favorite all-time bands until after I'd had all their records for a couple of years. And realized I was playing them every day.
Women, with their sure instincts, realized that my intention was to make them not just more beautiful but also happier.
I had to learn to trust people, and I realized that success was going to be born in hiring really bright people - very self-motivated, very able to make good judgment calls day in and day out.
I had studied piano since I was 13, but I was surrounded by students who'd been playing since they were 5. I realized I was never going to be anything but mediocre.
Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of.
It used to annoy and frustrate me to have to come in and audition. I would say to my agents, 'Haven't they seen this film and this film and this film? They know what I look like... They must.' Until I directed an episode of 'Roswell.' And all of a sudden, I realized why that was such an important thing.
Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door.
Right about when I turned 13, I realized that women could be jockeys, from my travels to the racetrack with my dad.
One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.
My best friend Jerry started a boat-washing business, and it was one of the most critical experiences of my life. I got to meet a lot of people who were entrepreneurs. My parents were schoolteachers, and I was now meeting people who owned companies. I realized that if this guy can do it, why can't I?
I realized how far-reaching the effect of hip hop was when I walked by a jewelry store named Bling in a small, rural town in France. Hip hop has made a huge impact on urban culture. Yet many brands still don't speak to young people in a tone and manner that's representative of them.
The reality is that not only were we massively hit in 2008 when the bubble burst, and then we realized how deep the social gap, the economic gap in the world is between the super rich and the poor; also, we realized how impacted the environment has been. So there's been a physical consequence of that.
As I started to pursue the subject more deeply I realized that walking was this wonderful meandering path through everything I was already interested in - gender politics, public space and urban life, demonstrations and parades and marches. The relationship between walking and thinking and between the mind and the body.
I really wanted to be as healthy as I could. It wasn't about getting my six-pack back. There are more important things in life than a six-pack, I realized. It was just so much more important to take care of my baby and take care of myself in a healthy way; so now, it's been a slow process, but I'm back in shape.
I consider myself someone who takes a lot of beauty risks, and I've realized what I liar I am. I change my hair a lot, from blue to blonde to bald, but I'm trying to branch out a little more with makeup.
When I turned 18, was the first time that I really started concentrating on politics. And I started doing so because I realized that in order to really create and generate change, it has to come from changing laws... so I started campaigning for Norman Lear's foundation, which was Declare Yourself.
Before Google, and long before Facebook, Bezos had realized that the greatest value of an online company lay in the consumer data it collected.