I'm sort of like a maniac, and I can't get out of it.
I'm a bargain shopper! I get a thrill from looking like a million dollars in an outfit that costs next to nothing.
A lot of the stuff that I say doesn't even make TV because it gets cut out. So if you're at the live events you get to hear what I have to say, but if you're watching on TV, you're only getting about 50% of it.
I get out of bed, brush my teeth, wash my face, put on moisturiser, put on clothes, and leave. Four minutes. I like to shower at night so I can roll out of bed.
When you play soccer, most of the time you got to get the ball moving, but once you get into that attacking third you gotta' be creative, you gotta' let your talent take over.
Technology will definitely solve all our problems, but in the process it will create brand new ones. But that's O.K. because the most you can expect from life is to get to solve better and better problems.
It's a lot harder to get people to 'ooh' and 'aah' over beets and carrots than it is to get them to 'ooh' and 'aah' over artichokes or asparagus, and I enjoy being able to take these humble, 'lowbrow' foodstuffs up a few notches and serve them with great exuberance.
I don't live with the 'right' people. I don't want to. I don't want to live with the rich in Beverly Hills or walk the streets of Hollywood. I want to go to K-mart and get good deals.
I love white shirts because they feel like a security blanket. You can wear them with anything. It's the person and the way that they wear it that makes it different. I have been designing white shirts forever, but I don't get tired of it.
I'm a soccer dad at heart. I want five kids, and I want to get married. I want to coach Little League.
I used to climb mountains a lot; I decided to go to Pakistan to climb K2, the world's second-highest mountain. I didn't get quite to the top.
There will always been the prurient rubbernecking aspect to disasters: people who just can't get enough gore.
If I make a bogey or three putt I'm on fire inside. But it's not like you're going to play any better slamming your club or getting angry. So you might as well just keep it in. People say I'm pretty calm, but I do make mistakes and I do get angry, but I try and not show it.
Writers, directors often can get too precious with their words.
I've tried to help a lot of young artists get started.
One of the strangest things that used to happen at half time was that you'd come in, and you would have to sit down and be quiet. Get your drink, your energy bars or whatever, and sit down.
I get along so much better with fundamentalist Christians than I do with wishy-washy liberals, who want everyone to get along.
My question about luging is, How do you get into the luge community to begin with? Is it one day like, 'Mom, Dad, I really want to luge.' And your parents are like: 'O.K., I'll quit my job. We'll move to an Alpine community.'
Ideally, really ideally, you want to get to a place where you can have creative control over the material you do - choices, at least, anyway. And you want your choice of script and role. But do you really want your life to revolve around trying to maintain your privacy?
Get the screens out of your room and surround yourself with books.
I'm also taking singing classes as well, not that I ever plan to sing in public in my entire life. I actually have a phobia of singing, so I decided to take some singing lessons to help me get away from the phobia.
Playing hockey, there were a lot of guys bigger than me, so I knew I was going to get hit and have to deal with it. Gotta hit back.
I'd be all for everybody keeping their sidearms if they're in the military and on a military installation. That's something we need to get back to.
Americans want students to get the best education possible. We want schools to prepare children to become good citizens and members of a prosperous American economy.
With all my films, the pace is not very fast, and so people get bored with them and comment that they're just people talking in rooms and all that.
The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.
I have no regrets of fighting for four years to get 'Sordid Lives' on the small screen. It was a fantasy. I mean, I got to work with amazing actors like Rue McClanahan!
I think I compose as a listener: improvising and listening back excites me because I get to ideas that never would have occurred. Then I bring in the computers and samplers... and I begin to loop and process and change them.
I think that if you've got a great support system around you, and a great family, and a tight team around you, I think you don't get lost.
People get bored very quickly.
If you're playing with a number of people, there are all sorts of textures, all kinds of possibilities you can get into. So why just play a theme together and then take solos?
The object of teaching a child is to enable him to get along without his teacher.
Shaking hands is a pretty good way to get yourself sick, not necessarily with Ebola, but with a million other germs that can cause colds and flu.
Little kids grow up discovering the world that's shown to them and then when you become a teenager, it kind of shrinks a little bit. I think when you get past that point, one of the important things is that you see there is more to the world than yourself.
The way I meditate is by being organised. I can get real Zen if I go home and tidy the front room.
I've been fortunate because I got the gift to do comedy and drama. When you can do both, you get twice as many parts as anyone else.
