I feel like, big city or small town, you can relate to following your parents' footsteps or putting your own dreams on the back burner or vices that we get caught up in - that whole cycle. That's not just a small-town thing. That's a life thing.
You don't have to have magic unicorn powers. You work at it, and you get better. It's like anything: You sit there and do it every day, and eventually you get good at it.
I'm doing a music video for a group called 'Die Antwoord.' That's fun, but yeah, I'm trying to get a live-action film off the ground, and that could take anywhere from a few months to the rest of my life.
When I went to Moscow, I felt I was relearning Swan Lake - which was written for the Bolshoi - and being immersed in a tradition and history I had never experienced. It took a while to adjust to living there and learning the language, but now I have lots of friends. I get the best of two completely different worlds.
I get a lot of mail from men who really identify with Stuart, you know, Sparrow's boyfriend. I love that. Even though I used to say I wanted men to read the strip even though there weren't any men in it, so they'd be forced to identify with the women.
I have found a flat on Merseyside and am settling down here. If I can keep playing and get back to full match fitness, I know I have a lot to offer still.
I don't want to go to work and get into bed with someone else, not even Tom Cruise. It's not like I enjoy it.
A woman may race to get a man a gift but it always ends in a tie.
Networks are reluctant to take a chance. They put on shows that they know will work on some level, but to get the innovative show, it's very difficult.
Regulations about environments are going to get tougher and tougher.
It's been great; the whole experience was surreal to me. To go from 'EastEnders' to 'X-Men' was like a dream. I could never have thought when I left 'EastEnders' that I would get this good a gig and so soon.
We should make it so that young people pay their fair share for health care, and nothing more. And instead of Washington telling us what to buy, let's get back to letting every American choose the plan that's best for them and their family.
I don't know why I always get to play these guys who have few redeeming features. But don't knock it. Villains are much more fun.
We've got to practice three weeks, get the kinks out, then we've got to practice three weeks with the crew, and then go out for four months. It's just a huge chunk of time out of life.
For the 'Riddick' character, I try to get as ruthless as possible, and I want to be a machine.
When you turn professional, you become an entertainer, and like every other entertainer, you don't want to get a bad review.
It's true that it's a solitary occupation, but you would be surprised at how much companionship a group of imaginary characters can offer once you get to know them.
I welcome the President and working with him to try to get some of that medical malpractice reform so we can get the cost of health care to come down.
We don't get the Tony gift basket anymore. You used to get incredible swag - there was like $5,000 worth of stuff. I remember getting an MP3 player, gift certificates to restaurants, a three-year gym membership.
I deliver very traditionally, and people aren't threatened. I think if I cursed or seemed wilder, I couldn't get away with the amount of very opinionated politics I get away with.
It's something that can get overwhelming and frustrating, the sexism I experience in my career. It's just obviously a big issue in women's sport, like salaries, media coverage, just general things that you have to cope with in your career.
I'm not very good with stills. I get all twitchy.
As far as I know, Vera Miles had a terrible time with Hitchcock, and she wanted to get out of the contract. He didn't let her. She did 'Psycho,' and I believe, if you look at 'Psycho,' there isn't one close up of Vera, not one. After that, she would never even speak about him to anyone.
We all know that television is better for women as they get into their 40s. You could be more three-dimensional, not just the wife or the mother.
When I wrote 'Lord of the Flies' - I had no idea it would even get published.
Early on, when I wrote 'Little Man Tate,' I got pigeonholed. Somebody said to me, 'You're not very dark,' and I had trouble getting certain kinds of jobs... and I learned very early that I didn't want to get pigeonholed as anything. And my next script was 'Dead Again.'
Things are going to get a lot worse before they get worse.
There are horses people use for competition, and if they don't perform well or go lame, then people ask the vet to put them down to get the insurance money. And my vet knows I love horses, so he gives them to me.
I think you get less takes on TV than in movies.
I'd like to get the word out there, the word has to be spread.
What you get is a living, what you give is a life.
On a two week road trip I know I can get by better with no underwear than no laptop.
I auditioned for Julliard because I wanted to live in New York, and I wanted to be on Broadway at the time. Julliard seemed like right way to get there.
You don't get gushers of revenue by raising tax rates. You get it through expansion.
For me, the focus are songs, which really get the audience moving.
Marriage is about the most expensive way for the average man to get laundry done.
