I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.
I was pleasantly surprised after the book came out. It was like, hey, the home team put down a nice score.
I do not let a bad score ruin my enjoyment for golf.
I gotta win games. Because if we lose games, and I score a lot, they going to say I'm scorin' too much.
I have always studied my parts with the orchestral score and not with the piano reduction.
The difference with football is you're out on the pitch, you feel as though you can do something about it, or score a goal. But when that horse goes down to post as an owner you have no involvement whatsoever. It's a lonely old place in the stand. It's just down to man and beast.
In music, the punctuation is absolutely strict, the bars and rests are absolutely defined. But our punctuation cannot be quite strict, because we have to relate it to the audience. In other words we are continually changing the score.
A penalty is a cowardly way to score.
I write plays and movies, I live and work at the borderline between word and image just as any cartoonist or illustrator does. I'm not a pure writer. I use words as the score for kinetic imagistic representations.
To be a great game, one of the teams has to score first.
When I repress my emotion my stomach keeps score.
I know that my job is to score runs, and I will continue to do that.
You learn to understand it, but if you step back, you do think it is either strange or unfair. But I know that if you don't score, play well or win, you are wrong to have a helicopter and fly home each week to see your kids. You are wrong to have a business outside of football.
My Golden Rule of Networking is simple: Don't keep score.
When I grew up, I tried to score off every ball, be it a 10-over-match, a 20-over, or even a Test match. If I stay in the wicket for, say, about 30 minutes, I want to make the most of it and score maximum runs possible. You never know when you get out; try to score as much possible before that.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
The supposed inferiority of a constructed language to a national one on the score of richness of connotation is, of course, no criticism of the idea of a constructed language.
Some other people are very lucky and always get in to the very best teams at the very best times and therefore go out and score lots of championship points and be in with a chance of the championship.
I am interested in all aspects of filmmaking, so I have an opinion on every aspect, so sound design, score, cinematography, editing - all that stuff I have experience doing myself, so I had a very strong idea of what I wanted, and I got, for the most part, people that were able to articulate that idea, which was nice.
There's a lot of money in doing score music. You can get a chance to get nominated for an Oscar; I would love to get nominated again.
I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.
When you get on base, holes open up and things happen and you're able to find a way to score runs.
I hold the record now with Dixie Dean for being the only Everton player to score three Merseyside derby goals at Anfield. I still hope to better it. Things like that, the fans never forget.
I like how the other guys are stepping up. If we keep this up, then Bell does not have to score 25 points a game for us to win.
Let not our proposal be disregarded on the score of our youth.
Somewhere there's a score being kept, so you have an obligation to live life as well as you can, be as engaged as you can.
If you don't score, and you have chances, you are disappointed.
Both parties are so entrenched in their ideologies and a desire to score political points and hold on to power that we never seem to agree on a problem, much less find solutions.
I would do the occasional score. I thought it was the most thrilling thing. It was instant. You made the music and they played it right away to millions of people. I found it thrilling.
The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult.
Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
You have got to shoot, otherwise you can't score.
You never lose a game if the opponent doesn't score.
I'm not saying I didn't have ample time to recover, ample time to get to my best, I felt this year I did fine. When I stepped on the field for the national team, I was ready and able to make an impact, to score goals, to create chances.
I'm also very pleased that we were able to include a full orchestrated score for Dragon's Lair 3D. The 40 different music pieces blend with the action to make you feel more a part of the whole adventure.
