Zitat des Tages von Placido Domingo:
If money was my only motivation, I would organize myself differently.
This circus games aspect has existed since the beginning of my career.
The press regularly proclaims my ambitions and my financial demands.
With my personal preparation at the piano, I can afford to hum at half voice.
I am never wrong when it comes to my possibilities.
Young singers are much better educated musically, much better informed, through discs and videos, than I was.
When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.
Every three days on average, I am alone on stage, facing the public.
Let us be clear: I take ten times more money for a concert than for an opera performance.
Honestly, if the public still wants to hear me in some works, I have to go down a half step.
My strength is my enthusiasm.
The public made me and then encouraged me for many years, and my future even now depends upon it.
The public is a part of my real life.
To stay at my best, I have to stop talking during the preceding day.
I feel at home in an orchestral score.
I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.
I have always studied my parts with the orchestral score and not with the piano reduction.
The high note is not the only thing.
On the other hand, I have devoted so much energy to reach the top that I accept the stress of being there.
When working with an orchestra, you never spend more than 20 minutes per recording session.
I will prove that a great conducting career is expecting me.
I was married at 16, a father at 17 and divorced at 18.
I attended less than two years of Conservatory in Mexico City.
The voice collects and translates your bad physical health, your emotional worries, your personal troubles.
Singing becomes a form of therapy.
When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.
But I won't deprive myself of singing opera as long as my voice follows.
This season, over eight productions, I am presenting four young tenors.
But enough joking. I am singing. This is all my life.
Don't you think it astonishing that, at 58, I am still working at improving my career?
In the last century, everybody was singing lower.
It is strange, but nobody is shocked when pop singers make a fortune in the space of two years.
When a young artist is ready, one has to bring him into the limelight.
Should it happen tomorrow, I would fall to my knees to give thanks to God for such a career.