A lot of emotional stress that people go through, some people figure out a way to handle it. They have a strong enough support system to keep going and keep moving forward. And some people, they feel like they don't have that outlet.
Everyone who's in America spends the first few years not experiencing it. The person is frightened by the newness of the place and doesn't see things. Her emotional universe becomes the entire universe. And then when she thinks of home, her distance in space can seem like a distance in time.
It is painful to relive things that have caused emotional crises or whatever and find ways to express that musically.
Party switching has all the emotional edges and baggage of divorce.
As a child, I read a great many books in which animals and birds played significant roles, not only in the narrative itself, but also in creating the emotional and psychological atmosphere of that narrative - the imaginative furniture, as it were, in which any story unfolds.
I was very empty after my father passed away. It was an emotional time, as it would be for anyone, but to be in the studio every day was kind of cathartic and healing and it just seemed very natural to continue.
Even in a crowded room, likable leaders make people feel like they're having a one-on-one conversation, as if they're the only person in the room that matters. And, for that moment, they are. Likable leaders communicate on a very personal, emotional level.
I felt all the things that other teenagers felt. I was insecure in lots of ways, over-confident in others. I was very emotional. Excitable.
I've worked so hard for years, and it's just incredible to see my clothes in Dorothy Perkins. I got quite emotional at the launch.
John le Carre's 'The Night Manager' is a relentlessly exhilarating thriller with profound emotional depths.
Music is, of course, a universal emotional experience, cutting across cultures and languages. I studied piano for ten years as a child and consider that experience one of the most valuable in my life.
Classical music's ability to translate emotional themes is fantastic.
I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.
Even though there are a lot of bright tennis players out there, you still have to protect yourself and save all your mental and emotional energies for tennis.
The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.
Younger characters are just much more emotional.
I tried to use words that were dealing with the emotional quality that any human being could recognize in the way that they felt about their country. It's to do with the world we live in. That world is a brutal one and full of war. It's also full of many wonderful things and love and hope.
I wasn't trying to work out my own ancestry. I was trying to get people to feel slavery. I was trying to get across the kind of emotional and psychological stones that slavery threw at people.
Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping.
Long-term career aspirations encompass emotional and intellectual impact of work on society.
I think shrinks are interesting to write about because you get to see what the character chooses to reveal, and what behaviors or stances the character tries out on the shrink that might not be part of the character's make-up outside of that room. It's an emotional test-kitchen.
Too many brands treat social media as a one way, broadcast channel, rather than a two-way dialogue through which emotional storytelling can be transferred.
I put everything in that last lap, it was very emotional when I crossed the line. It was all I had, I gave it all.
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.
Everything with me is pretty close to the surface, but having kids has completely ruined my emotional equilibrium.
I'm an emotional person. Sometimes I can't help it.
Music is there to access those dark emotional corners that we don't normally get too close to.
When I go to a gig and I hear a song that I really like, a song that hits home to me or hits an emotional nerve, if I could ever recreate that for someone, that would be the ultimate goal.
Whether we like it or not, men and women are not the same in nature, temperament, emotions and emotional responses.
The concept of romantic love affords a means of emotional manipulation which the male is free to exploit, since love is the only circumstance in which the female is (ideologically) pardoned for sexual activity.
I'm very interested in cinema that explores emotional journeys and where you can use everything at your disposal cinematically to locate you inside someone's head and their emotional landscape.
Love is the expression of one's values, the greatest reward you can earn for the moral qualities you have achieved in your character and person, the emotional price paid by one man for the joy he receives from the virtues of another.
With physical prep work, you know if you go to the gym, you will get size. There's no chance it won't happen. The emotional prep work is a variable. You could step onto the set one day and have a disconnect with your thoughts and feelings and have a rough day acting because you can't quite tap into what you need.
Beneath words and logic are emotional connections that largely direct how we use our words and logic.
When I was 4 or 5 and I could put complete thoughts together and really feel them, I remember watching the Grammy's or something like that and getting real emotional because I wanted to be up there.
