I grew up with an impatience with the anti-scientific. So I'm a bit miffed with our current love affair with all things Eastern. If I sneeze on the set, 40 people hand me echinacea. But I'd no sooner take that than eat a pencil. Maybe that's why I took up boxing. It's my response to men in white pajamas feeling each other's chi.
4Shbab has been dubbed Islamic MTV. Its creator, who is an Egyptian TV producer called Ahmed Abu Haiba, wants young people to be inspired by Islam to lead better lives. He reckons the best way to get that message across is to use the enormously popular medium of music videos. 4Shbab was set up as an alternative to existing Arab music channels.
We didn't set out to be educators or even scientists, and we don't purport that what we do is real science but we're demonstrating a methodology by which one can engage and satisfy your curiosity.
I wanted to be a set designer when I was young.
I often talk with other actors about that time when you've just finished a job, because I think you do take on the characteristics of some of the characters you play. Sometimes it can be a great thing and sometimes it's a bit haunting because you're not quite sure how to leave it on set. My dad talks about it as being 'de-personalised.'
I can't stop watching 'Pan Am.' When I was growing up, my father worked as an engineer in Turkey, and we always flew Pan Am. The stewardesses were so glamorous! When they gave me a set of those golden wings, I felt very grown-up. Not only is the show's plot full of mystery and infidelity, they get the period details just right.
I was in the Oval Office when Neil Armstrong landed on the moon because I was called in to coordinate the coverage. I got to thinking, 'We have a feed from the moon. We've got a feed from the Earth. I can set up the first interplanetary shot in history.'
Bond in 'Goldeneye' is pretty much a set character. To be honest, he's another version of Connery, and Connery was terrific. How many submarines can you blow up? How many control rooms are evaporating?
I haven't been out in the marketplace in a while. I'm thinking about going back into it. I've got some things set up over the next couple of months just to go and see. But I have no idea what the specific way to a solution is anymore. It's mysterious to me.
I enjoy worldbuilding very much. I generally start with an approximation. With 'Flesh and Spirit' and 'Breath and Bone,' because I was thinking of a world on the brink of a dark age, I began with the sense of Roman Britain. But I purposely set the geography to match something other than Britain - which has been overdone.
The pace is different on a film set. It's slightly slower, allowing for a little more wiggle room. Sometimes there is a bit more room to explore and work on the floor. On a TV set, you really have to be ultra-prepared and ready to deliver because time is so tight. Not that you don't have to be prepared for film.
A lot of producers now are people who stay in their office and never go to the set. I don't know how you can be the advocate of the movie if you're not there in it every day.
I've been fortunate in life to benefit from family, educators, work colleagues, and a set of mentors and sponsors, all of whom did not hesitate to offer and support me with every opportunity to achieve what I set out to do.
The dirty little secret of journalism is that it really isn't a profession, it's a craft. All you need is a telephone and a conscience and you're all set.
Sometimes films have no rehearsals - you don't have real rehearsals on the set because the day is so dominated by the schedule.
If you set out to write an adjective novel, you're setting out to write a mediocre novel; your allegiance is to the adjective, not to the story, and then that just sucks all the joy right out of it.
Even when I lost my job at CBS News, I set up shop in my youngest daughter's bedroom and started Brainstormin' Productions and the Hannah Storm Foundation. And guess who was there, visiting me and enthusiastically making business charts and graphs that covered my entire kitchen table? My dad, of course.
I don't really like meetings, I like recording and performing music. I need to set myself up for when the time does come that I need better distribution or just a bigger team behind me.
Deep down, all directors feel like frauds - because it's built into the nature of the job. You're the jack of all trades and the master of none. The cameraman knows the camera, the sound man knows the sound equipment - and you? You can't do anything: You can't do the acting, you can't dress the set, you don't record the sound or shoot the images.
The environment on the 'Chewing Gum' set is where everyone can work to the best of their abilities and everyone is happy. So, if I'm not happy with something, I've learnt that you don't start flailing about; you go in quietly, and there's a conversation.
If you are calm about your ambitions, you become confident of achieving what you set out to do.
The broader the topic, the easier it is, not only to fill a book, but to set the bar pretty high for really great stuff.
When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.
Monsters just outside our peripheral vision are scarier to contemplate than monsters miles away or in someplace only a fool would set foot in.
If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.
We are taught to consume. And that's what we do. But if we realized that there really is no reason to consume, that it's just a mind set, that it's just an addiction, then we wouldn't be out there stepping on people's hands climbing the corporate ladder of success.
When I first set out to do it, I wanted to be a working actor, and now it seems like it's superseded even my dreams.
I've gotten pretty good at leaving characters on the set. I go home and try to relax and regroup and be ready for the next day.
You've got to quit lowering your standards. Set your requirements up front so when a guy hooks you, he has to know this is business.
'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia.
I think the best thing that can happen to the Republican Party is that it is identified as a party organized around a set of principles, ideals and ideas for our future.
Having blown up my own long-term marriage via an extramarital affair, followed by a traumatic divorce, I tend to think of love as less a gently glowing hearth than a set of flaming train tracks you strap yourself onto.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
We really set out in all our books to say something. Every one is an effort to bring the reader over and show them our theory as to why what we're talking about needs to be talked about.
It's important on a comedy to have a fun loving set.
I'll always leave the same set of strings on my guitars when I'm recording. If I break one I'll just replace it instead of putting on a whole new set of strings.
