Zitat des Tages über Drew:
I was pretty much seen as a basketball player coming out of high school. Football was my second love, but luckily, I turned out to be pretty good. Something just drew me to football; besides, I ended up being too short for my position in basketball.
Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.
In Michigan, if you want to act, it's local theater, it's high school theater and it's going to camp and putting on plays in the summer, and I always loved doing that. There was something that just drew me to it.
I think the best advice came from Drew Barrymore, about always finding love in everything you do and keeping a positive attitude and being thankful.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
I read mysteries like Nancy Drew and Alfred Hitchcock, and I swim and I ride my motorbike.
With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.
I always was a weird child. My mother told me the story that, in kindergarten, I would come home and tell her about this weird kid in my class who drew only with black crayons and didn't speak to other kids. I talked about it so much that my mother brought it up with the teacher, who said, 'What? That's your son.'
Sometimes my life opened its eyes in the dark. A feeling as if crowds drew through the streets in blindness and anxiety on the way towards a miracle, while I invisibly remain standing.
I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child - which is ironic because I was never, never sentimental about him as many of his fans were.
That's what drew me to rock music in the first place - that sense of remaking the world on your own terms.
I filed the ethics complaint against Tom DeLay not because I'm a Democrat and he's a Republican or even because he drew me out of my congressional seat but because he engaged in corruption to further his plans to disenfranchise voters in Texas.
Nancy Drew was always changing her outfits. I despised girls' clothing, I couldn't wait to get home from school and get out of it. The last thing I wanted to read was minute descriptions of Nancy's frocks.
But when I went on the stage to do a show, I would put on makeup because I felt that it enhanced my act; it drew attention to what I was doing.
As a kid, I drew comics. I had curly hair. I liked to joke, but I was kind of nervous about it at first until it was coaxed out of me.
I, of course, wanted to do something with Drew Barrymore. Please. So we were reading scripts back and forth and then we found this script, Fever Pitch.
I think in terms of the parents that I had, I sort of drew a bad hand, or bad karma; who knows? And I did have a family that was complicated, with some quite eccentric members. So there was a lot of grist there.
While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.
I watched television a little, but I mostly just drew and read magazines.
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
I was an 'Ironman' fan. It was in the '70s. I definitely liked comics and drew a lot of panels on my notebook when I should have been studying - probably why I ended up in the arts.
I was the governor that drew a tough, tough straw. I was governor during the worst recession since the 1930s, and I had to cut $5 billion from the state budget.
I look at my grandparents and what they dealt with in the Japanese internment in Arizona. That sense of perseverance, of making the best out of an incredibly bad situation, has always been something I drew inspiration from. I always ask myself, 'What in the world do I have to complain about?'
When I came to New York and I opened the window of the thirty-fifth-floor apartment, there's light pollution and fog, and I couldn't see my star. So I drew it on my wrist with a pen, but it kept washing away. Then I went to a tattoo parlor on Second Avenue and had it done.
I love Cameron Diaz, and I love Drew Barrymore.
The problem was Le Corbusier was a genius and an enormous artist, but he tried to resolve problems to which there is no solution. So the idea to demolish the centre of Paris in order to adapt it to the car - he drew it! - is something not even the most bloody dictators conceived.
The Republicans in the House and Senate took the district that I firmly represent, 22 in south Florida, from a D plus one to a D plus five almost a D plus six district, which means you are given a five to six percent registration advantage to Democrats. They drew in more Democrats into the district I represent.
Wonder was the grace of the country. Any action could be justified by that: the wonder it was rooted in. Period followed period, and finally the wonder was that things could be built so big. Bridges, skyscrapers, fortunes, all having a life first in the marketplace, still drew on the force of wonder.
I met Drew Barrymore, and she was so cool. She told me, 'I know I just had my baby three weeks ago, and that's why I'm emotional, but I cried when you performed.' And then she pulled out a tissue and said, 'Look, I was sobbing.'
Every social organisation which is rooted in life still lasts a long time, even after the conditions from which it drew its strength have changed in a manner unfavourable to it.
I always drew dresses. I remember loving Richard Avedon's early Versace campaigns. I used to plaster my whole walls with them when I was a kid.
And when I was born, I drew in the common air, and fell upon the earth, which is of like nature; and the first voice which I uttered was crying, as all others do.
The story behind 'Check Point' is what drew me in. The script had a couple of twists that I really did not see coming... To get out there and raise people's awareness, I think there's a big responsibility in that.
I just kind of go with what I am feeling and don't think I have any kind of recipe for it... I mean, that's what drew me into writing. It's fun, and sometimes you don't get a great song. Sometimes you do.
I drew a picture on the back of a calendar in pencil. In those days they used to give out free calendars, I had no art paper, so I took whatever else I could.
I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
