Zitat des Tages über Drehbuch / Screenplay:
I'm a very slow screenwriter. It takes time for me to write a screenplay. Also, I feel it's not my strength.
I sold my first screenplay six months before 'Glee,' but they had the option for a year and now it's back with me.
The fundamental difficulty that most novelists face when they are trying to adapt their own book into a screenplay is realizing that a screenplay is a completely different way of storytelling, and it has limitations.
I would like Albert Brooks to have received the Oscars for best actor, best director and best screenplay for 'Modern Romance.' I love that movie.
Although there was a screenplay, the actors never knew what questions I was going to ask them, and all of my character's voice-over narration and scenes were added after the fact.
David Mamet we all know is a great screenplay writer and playwright and a great director. If you like him, you like him. If you hate him, you really hate him. He's someone who's into controversy, you know what I mean? That's David Mamet.
Courier 12 is the Type-O blood of fonts - works just as good for a 'N.Y. Times' op-ed as a screenplay or a short story.
If I could find the right kind of property, get tied in with the right movie, I'd love to be involved, but I just find it hard to be motivated to do another screenplay right now.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.
I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
I would have killed to do 'Beauty And The Beast' at Warners, which went away. I would have killed to do 'The Witches' at Warners that went away. God knows there are many, many of them. All I can do is diligently do the screenplay, diligently do the design work, deliver a budget, and then await a decision.
Any story, any screenplay can only happen if the whole unit is professionally working towards it.
I can never read this book, just like I can never see a movie that I wrote a screenplay for. I can read it and see it physically, but I can't accurately judge it. I'm too close to it. If I read it ten times I'll have ten different reactions.
This is not a screenplay. I don't do twenty drafts. I'm not going to show this to you until it's published or accepted for publication. You can make whatever suggestions you want, but I probably will ignore them entirely.
I found the structure of writing a screenplay harder than the structure of writing an essay. But it was definitely challenging to force myself to sit and write. I'm not used to having to force myself to work.
You sell a screenplay like you sell a car. If someone drives it off a cliff, that's it.
The way Nolan looks at things is just amazing. It can be easily seen in all his films. I was just watching his videos on how he came up with the screenplay of 'Memento,' and it's just extraordinary. It just opens up your mind.
I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.
The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.
After university, I went into film. I started out making tea, managed a brief stint as an assistant director, then found myself writing a screenplay. In the end, I wrote quite a few - but by January 2006, I wanted out.
'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
'Fanboys' was the first real screenplay that I ever wrote that was an original story with my own characters.
You're torn between wanting to fill in all the spaces and knowing that's really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don't understand the process?
A great screenplay makes everybody step up to the bar and deliver.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
I love film and have taken a stab at a screenplay. I love writing dialogue and found it highly enjoyable.
Getting your screenplay right is the most important thing you'll ever do on your film.
Jerry picked up the technique of visualizing the story as a movie scenario; and whenever he gave me a script, I would see it as a screenplay. That was the technique that Jerry used, and I just picked it up.
It's much like writing a screenplay with someone else and that's how we view it, I think.
My back went out and I gained 40 pounds while sweating over 'Perestroika.' It was incredibly hard, the hardest thing I had to do before the screenplay to 'Lincoln.'
In doing the screenplay for 'Good Night, and Good Luck,' the most important thing for me was to constantly go back to wherever the opposition would argue. So I had to keep reading all the books and articles about why McCarthy is such a good guy.
I've never read a screenplay in advance. You trust the artist.
There's something about somebody's first screenplay: it's like their whole life experience has kind of been bottled into it. They bring so much richness to it. And not that they won't do that for their next script, but there is something about their first experience and the time that it's been floating in their head.
Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.
For 'So Cold the River,' I'm actually working on adapting the book with Scott Silver, who was just nominated for an Oscar for 'The Fighter,' and who also wrote '8 Mile,' which I think is a terrific screenplay. The chance to work with Scott is a tremendous pleasure and I'm learning a lot.