I think my customers, my fans are really like my family now - it's like a movement of fabulosity.
It's very cool to be short, very cool. When I was in eighth grade, and the height I am now, I would just look at the cute little short girls and think, 'If only, if only.'
I don't think you can cry if the script is rubbish. I have to feel it; it's as simple as that. It's just like if you're watching something moving, and you feel yourself welling up. It's the same thing. You're just being carried along with the story. There's nothing magical about it. I think I'm in touch with my emotions, and I can't help it.
My father is an architect, so I often think like a designer or an architect. I remember when I was admiring buildings, I would look up at them and see this perspective and this awesome power of the monument in front of me.
I don't think there's any topic a writer should feel afraid of tackling just because it has already been discussed. If you feel you have a fresh perspective and an understanding of a certain emotional truth, it's always worth writing.
My so-called bad dress-sense phase happened when I was confused - I think I was taking advice all too often, without listening to my inner voice. Add to the fact that I was a little overweight; so every wrong 'outfit' got compounded all that much.
If you think there are no new frontiers, watch a boy ring the front doorbell on his first date.
I think the 'Terminator' idea is a reasonable one - that is that one day the Internet becomes self-aware and simply says that humans are in the way. After all, if you meet an ant hill and you're making a 10-lane super highway, you just pave over the ants. It's not that you don't like the ants, it's not that you hate ants; they are just in the way.
I do feel I'm responsible to carrying on the music. That's what I was charged with as a kid. When I was a little girl, I was told, 'When we are gone' - when you're a kid, you never think they'll ever be gone - 'you have to keep the music alive, the Carter Family songs, and add your own songs.'
I think I need to film something tropical on a beach in a bar.
I think that Twitter and YT and blogs are keeping media more honest. Everyone can be a journalist now. Everyone is a fact checker.
I don't think about consequences too much.
I generally don't think most situations can be labeled as black or white.
I do think I tend to be typecast, but it doesn't necessarily bother me.
People in Hollywood go home to their wives and children who look like they do. If you're in that position, your natural thought pattern is sometimes to think, 'Superman, oh yeah he's white.' You can't get mad at somebody for doing that. It's the world they live in and for some, they only live in that bubble.
I think a lot of my angst comes from feeling unaccepted.
Mike Mignola's 'Hellboy' was influenced by Lovecraft big time. He wanted to make his monsters Lovecraftian. But I think many other films have been influenced by Lovecraft - like 'Alien,' which is almost an outer-space version of 'At The Mountains Of Madness.'
I've always wanted to work with Blair, and finally the timing was right. I have a tremendous amount of respect for him. I think he's a hugely underrated actor in Hollywood.
I think it's an enormous blessing to be the child of an immigrant who fled oppression, because you realize how fragile liberty is and how easily it can be taken away.
I became hugely overweight and then hated myself because it was a form of self-abuse, something over which I had no control. I think the thing compulsive over-eaters want to achieve is that stuffed-full Christmas afternoon feeling.
Women have made tons of progress. But we still have a small percentage of the top jobs in any industry, in any nation in the world. I think that's partly because from a very young age, we encourage our boys to lead and we call our girls bossy.
I have such happy memories of performing in a choir and I don't think I'd have got where I am today without all that experience. So my advice to young singers is to either join your school or church's choir or find one in your local area. Choral music at any level teaches you so much about musicianship and blending your voice.
I think the Americans need to understand that a lot of times the children are bored in school, and that is why they are not staying in.
I think it's so dope that I'm here in Chicago and contributing to the music scene that's thriving. People are so happy Chicago's shining that everyone is willing to say 'I represent Chicago.' That wasn't always the case.
I think that anything in life is about the middle ground.
My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.
I just write and do what I think is funny. Sometimes, you do have it in your head about certain bits. There are certain jokes where I know if I did them in certain situations, it would irk people. There are times where I look at the news and see a story going on, and I'm like, 'Wow, if I tweeted this, I would get press if I wanted to.'
I think you try to improve every season and every game and be prepared about certain defensemen you're playing against, certain ways to find open ice.
I think what you learn, working on a film or TV set, is how to tune certain things out. You've got 60-100 people swirling around you, each of them with a very important job to do.
For me, geopolitical issues are becoming more important, because how can you understand economy if you don't understand geopolitics? People think economists just deal with spreadsheets and charts. That's a narrow-minded caricature.
It's good to have a foothold in reality, a base somewhere that's always been a base. Sharman Macdonald once said she needs life to write; she can't write if she's just in theatre all the time. I'm the same way, I think. I've always felt that if my life was all about the job, I wouldn't be so good at the job.
It's a particular skill, I think, doing backing vocals. You're blending the vocals between the gaps, between the music.
I guess if I was made responsible for every single line of dialogue in a game and every single piece of textual visual detail, every sign or piece of graffiti, then yes, I think that would be comparable to the time and effort required to write a very long novel, indeed.
I've had a lot of dates, but I don't think there's been anyone that special or important.
When I'm singing a song, I'm in that song, and I'm thinking about what emotions I should bring to the song. Voicing a character was very similar. It was high energy, and I had to really think about the emotion of what was going on in the scene.
'Teenage Wildlife' is just epic. It's, like, five or six minutes long, and it kind of crescendos and builds into this insane vocal of Bowie wailing. I think I would pay $5,000 dollars to see footage of that recording session.
