Zitat des Tages über DC:
I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.
Marvel has put out good product. DC has put out good product. Even Image has put out good product, as far as I'm concerned... although it's few and far between. But it's not getting recognized, no matter who's doing it.
In July of 1983, I left Washington, DC area and have had minimal contact with Judge Clarence Thomas since.
There's immense fun to be had as long as you can sort of sneak it past DC. I have been told on occasion that I need to have more respect for these characters.
Every DC or Marvel property is constantly getting reinvented because we love these characters. They're so iconic, and we want to watch them over and over again.
It can't really happen today the way it did back then and part of that is because I think there's a bit of a competitive scare over at Marvel and DC so they lock guys up with exclusive contracts.
I don't presume to describe myself as a creator anymore, but I certainly love the process, and I hope I can do a lot of great things for the talent who are in and around DC.
But again, I put in my time with Marvel and DC so there was that period of my life of trying to learn how to draw and tell stories in a proper fashion.
Hitman does well and it certainly does well enough to survive, but at the same time I don't want to involve the character into the DC Universe even if it meant more sales, to the point where we sort of upset the balance that we have at the moment.
I do remember being a fan of the Marvel characters and not liking the DC characters at all.
I'd like to be involved in 'SNL' somehow. I mean, being a permanent cast member is a stretch! That's pretty damned hard, but to host it one day would be a dream come true. And I would like to play the DC Comics villain Harley Quinn.
I will say that Vertigo is an area of great interest to me. It is even less well tapped than other parts of DC, and could potentially offer amazing stories for our future television video game, digital and consumer products businesses.
When I write Superboy and other DC characters, it's about boiling them down to core concepts.
I grew up on DC Comics, moral tales where the bad guys got their comeuppance. To me the gory panels or grotesque stuff just made me chuckle.
After graduating college, I finally allowed myself to strive for what I loved to do, even if there were no guarantees that I would be able to make a living off of acting. This, combined with my life experiences prior - like stars aligning - led me to this lovely role of Katana within the DC Comics universe.
I've done work for hire. I've worked for DC and Dark Horse.
Honestly, I wasn't familiar with the whole DC comics world and the Batman world before I was part of 'Gotham.'
She's in a situation she tried to, that's what's complicated. She followed orders; she called off the raid. This is a dangerous situation. Somebody in DC police went ahead and started.
DC and Monster have always supported my vision for street skateboarding, from building skate plazas throughout the world to now creating the first-ever professional skateboarding league.
The DC Universe animated made-for-videos are a great, specific opportunity to offer fans something that they might not have gotten otherwise; it's also proven to be a great business for Warner Video and Warner Premiere.
One of DC's strengths is our archive of storylines ranging from 'Watchmen' to 'Arkham Asylum' to 'Sandman.'
I'd begun reading Crumb shortly before that, and other underground stuff, so that was an influence to some degree. Of course the Marvel and DC comics, they had been my main interests in my teenage years.
Well Washington DC what are you going to do. They think the capitol steps are the state of the art in comedy. You try to drag them into the 20th century let alone the 21st and they refuse to come with you.
I didn't grow up in public life. I lived with my mother in Boston, not in Washington, DC, so I was somewhat sheltered from that.
I enjoyed my time at DC. Dan Didio, Geoff Johns and Jim Lee were great to me, and I'm very grateful for the opportunities they gave me. Having said that, I think it's important to try new things and work with new people to keep myself fresh.
The DC Universe has the best villains in fiction, right? I don't think there's any group of villains collectively or anywhere else that come close to DC's. Joker, Cat Woman, Lex Luthor, are all staples. A lot of the comic book icons are fiction icons.
I grew up outside of DC, New York state, and Connecticut.
That and the fact that I knew that nobody was going to publish my work at Dark Horse or DC or anywhere.
Washington, DC is to lying what Wisconsin is to cheese.
My mother wouldn't even let me read DC Comics. I came from a very strict background.
Development does not take place in Washington, DC. Development takes place in the rest of the world.
I started reading DC stuff much later in my life. You realize that there's a huge difference between the Marvel universe and the DC universe and the characters that own it.
The DC 9/11: Time of Crisis film was hard to get the part; I had to audition three times. It was very serious and very sobering. We studied and tried to re-create all the stuff that we all saw that day.
Every villain in the DC Universe wants something different, and not all of them want to rule the world. Or at least, not all of them want to rule the world in the way the Crime Syndicate do.
In Washington, DC, politics dominate even the most casual conversations.
One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were.
