When I was 20 years old, I was living in Ireland, going to school in Cork. There was this girl in my film class that I was kind of flirting with. We had this notebook that we passed back and forth. We would write 10 questions and then pass it back while we were supposedly paying attention.
Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.
When we heard that little dial-up sound, that eeeeee, and then you connected, and you then go and you check your mail and you get that 'you got mail,' you were excited. I mean, that was the thing.
Obviously, the Sixties was a time when everyone wanted to experiment, and then everything became very formulated and corporate, so artists tended to get pushed into a kind of pattern. Now, I think that has continued with the emergence of televised talent shows like 'X Factor.'
I'm not going to get somewhere and say, 'OK, I'm done.' Success is never final; I'll just keep on going. The same way as failure never being fatal. Just keep going. I'm going to the stars and then past them.
I always thought that the fastest way for me to get ahead and get noticed and to do well was to make my act very accessible. When I first started, I talked about family stuff, my dog, my cat. It was all I knew back then; I wasn't forcing anything, but I wasn't like, 'Hey, don't you hate doing homework?'
Just like food, you could think peanut butter is your favorite food for 5,000 years and then be like, 'I actually like burgers better', you know? I was just trying to say that kids and people in general don't have to label themselves and say, 'I'm straight' or 'I'm gay' or 'I'm whatever.'
Like most men, I can't say I am thrilled my hair's falling out, but then, if I really cared, I suppose I would wear a wig, get transplants, or start taking special pills, so I am obviously just putting up with it.
I started composing when I was around 13, and back then, people used to say that I needed to be a composer or a performer, but I can't be good at both of them. I could never understand why anyone would say that. Jellyroll did both, Bessie Smith did both, and so did I.
Until I was 21, I wasn't going into the media. I was a professional show jumper; I was going to have a farm... Then my father died, and it changed my life. I realised I had to have a go at being a journalist to see if I could cut the mustard.
It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. The story's finished.
After the oil crisis of 1973, many European countries tightened restrictions on immigrants. By then, millions of Muslims had decided to settle in Europe, preferring the social segregation and racial discrimination they found in the West to political and economic turmoil at home.
The average person in Hollywood just assumes that if you're on a hit TV show, then that's the first thing you've ever done.
When you have box-office results, Hollywood treats you different. Hollywood stands up. Once you get to the point where Hollywood sees that you create results, then the demand for you becomes higher.
Even if you were a general in 1945, if you split the revolutionary national unity today, if you are an enemy of the main pillars of the revolution today, then you have become a force of reaction!
One of the great cosmic laws, I think, is that whatever we hold in our thought will come true in our experience. When we hold something, anything, in our thought, then somehow coincidence leads us in the direction that we've been wishing to lead ourselves.
I have to say that deporting people and calling them 'bad hombres,' then kicking families out with visa violations, upsets me.
The spring, summer, is quite a hectic time for people in their lives, but then it comes to autumn, and to winter, and you can't but help think back to the year that was, and then hopefully looking forward to the year that is approaching.
I'm always trying to make myself laugh. I'm the most enthusiastic audience I'm likely to find, so if it doesn't make me smile then it probably won't work on you. The jokes that only make me shrug get cut.
I think that if there are positions that you can't argue... then the responsibility is probably to resign. If one's own conscience is opposed to the requirements and responsibilities of the job, then it's time to leave the job.
Never eat less than four hours before boxing. Then eat only lightly.
My writing routine is: get son off to school and sit down at 8 A.M. I read what I wrote the day before, and then write longhand, into a notebook. I prefer paper and pen because it feels closer to my brain.
If the states and territories do not sign up to fundamental reform, then my message is equally simple: we will take this reform plan to the people at the next election - along with a referendum by or at that same election to give the Australian Government all the power it needs to reform the health system.
I'm not a trained academic. Neither am I a veteran social worker. I was 26 years in the corporate world, trying to make organizations profitable. And then in 2003 I started Parikrma Humanity Foundation from my kitchen table.
You can be in the shape of your life, and then injury strikes. So you have to grab your opportunities.
In the 1970s we got nouvelle cuisine, in which a lot of the old rules were kicked over. And then we had cuisine minceur, which people mixed up with nouvelle cuisine but was actually fancy diet cooking.
Before discovering theater, I was sloughing off and didn't have any passion for school. Then I couldn't get enough. All of a sudden, I was getting good parts in all of these plays. I just loved it. I started getting A's in acting, directing and technical theater. I found something that clicked.
I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.
You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.
I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
My early films were very European based. It was 'As It Is In Heaven,' 'Together,' they were great international successes, but then I did, I think, 60 movies or something.
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'
If a person uses the word 'sorry' loosely then of course it loses its value.
I used to think that nails-down-a-chalkboard was the worst sound in the world. Then I moved on to people-eating-cereal-on-the-phone. But only this week did I stumble across the rightful winner: it's the sound of a baggage carousel coming to a grinding halt, having reunited every passenger on your flight with their luggage, except for you.
It's very easy to make poor choices and have bad swings every now and then.
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
