Now on the other hand, if someone is selling a product, opening a dance studio, or has some other aim to help themselves, then I tend to look askance at some of these strange stories from outer space.
The truth is many of us have been socialized to think that if we are not the very best, if we are not at the top 1 percent of whatever it is we do, then we are not good enough. To reinforce this already pervasive mental model, society has established a competitive hierarchy for just about everything.
I don't like shopping that much. I do it for an hour, and then I feel empty inside and weird.
When the state is most corrupt, then the laws are most multiplied.
Many jazz artists go to L.A. seeking a more comfortable life and then they really stop playing.
The night has always been my friend. When I go out I feel good, then I always score goals.
Education then, beyond all other devices of human origin, is the great equalizer of the conditions of men, the balance-wheel of the social machinery.
If a poem is each time new, then it is necessarily an act of discovery, a chance taken, a chance that may lead to fulfillment or disaster.
The original 'RoboCop' was X-rated, and then they had to cut it down so it became R-rated, and Verhoeven claimed that actually made the movie more violent, because it's what you don't see that actually scares you.
When 'Family Matters,' and 'Full House' were on, back then it was a simpler time.
And then a great thing in my life was going to India.
When I first started campaigning, I was really excited. Two-thirds of the way through, I thought, 'Why am I doing this?' Then I got really excited when I realized I was going to win.
If I make your workplace conducive to walking at lunch, or working out at some time during the day, or I get people to use the stairs more by creating incentives to do such, then people will start doing it naturally.
I don't agree with superstitious routines, but there are a couple of things I'll always do before performing. I'll get together with the band and chill out, and then, just before I go on stage, I'll always check my flies.
We'd rather see a picture that we liked then dump on one we didn't.
We invite, then, the world to come with its silver and make the exchange.
Grant what thou commandest and then command what thou wilt.
When you do movies, it's you have a 3-month family and then everybody goes away and then joins another family, you know?
We always deceive ourselves twice about the people we love - first to their advantage, then to their disadvantage.
I think everyone's inherently snobbish. Things that are very popular are not taken seriously, because the snobbish side of one says, 'Well, if everyone likes it it can't be that good.' Whereas if only I and a couple of other people like it, then it must be really something special.
I figure I'll be champ for about ten years and then I'll let my brother take over - like the Kennedys down in Washington.
I've spent a lot of Thanksgivings on the road with my band, so anytime that I can spend Thanksgiving with my family in a traditional aspect, eating sweet potatoes and cranberries and stuffing and all the trappings of Thanksgiving and then get on a treadmill the next day extra long, I'm happy.
The 'Downward Spiral' album was a record all about beating everybody up - and then 'Hurt' was like a coda saying maybe I shouldn't have done that. But to make the song sound impenetrable because I thought it was a little too vulnerable, I tried to layer it in noise.
I was a really picky eater as a child. Because I was obsessed by Popeye, my mum and aunts would put my food in a can to represent spinach and we'd hum the Popeye tune and then I'd happily eat it.
I had been doing all my school plays, elementary school, middle school, and high school, and then summer. I'd wanted to act for a long time, and I thought I was going to go to college and do theater, go that route. But 'Superbad' kind of fell on my lap. I was very, very lucky for that.
Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of the song was all it was worth. They wouldn't buy those types of records.
Remember that you don't choose love; love chooses you. All you really can do is accept it for all its mystery when it comes into your life. Feel the way it fills you to overflowing then reach out and give it away.
Grub first, then ethics.
I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
There is something at work that's bigger than us. It's about having a trust in life and being at peace that things are happening the way they should. You do what you do as well as you can do it, and then you don't worry or agonize about the outcome.
I did Star 80, which was a magnificent experience as well, but still, I was at the height of my career at the beginning. Then I had to jump down the ladder and climb back up again, which I didn't understand. That was very hard.
All this flying around got on my nerves. But then I gave the script to Cathy to get her opinion. When she started to laugh, it was like 'That's it!'. I went to LA and I got the part.
I go through life accumulating possessions... I've always done it... and then, every once in a while, a sort of tidal wave comes along and washes them all away.
How Americans restore trust may be an existential question for their country, then, but it's ultimately a practical one: What U.S. society needs to answer it in the coming years aren't lamentations but practical measures, especially among the emerging generations that will define America's future.
If you're playing the a historical character that's in the public consciousness, then obviously you've got to make an effort to look like that person and there's a huge amount of historical record there that you have to kind of comply to.
We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.
