As a writer, as much as I try, I can't stop writing female characters. They have so much more to offer; they have to wear so many different hats. There's so much wonderful gray matter in a female's life that it just makes for a stronger character.
In one book, CACHALOT, just for my own amusement, every character is based directly on someone I have known.
I love the idea of playing a character that didn't over think everything. He knows what's in front of him and he has an ability to just say whatever he felt.
Well, usually when I finish one character, I'm looking for a role that's really different.
I've dropped myself into straightforward character pieces in order to explore that form and reap its values. But you are sort of restricted visually when your first requirement is to tell a fairly straightforward story.
From all this it follows what the general character of the problem of the development of a body of scientific knowledge is, in so far as it depends on elements internal to science itself.
You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny, and all the things that a person could be. If you can achieve that, you feel great. You so rarely get to do that as an actress in general, but as a black actress, it's almost never.
For a writer, they say write what you know. As a performer, you find it in yourself, in your heart. You relate to the character. You try to live it, try to have it be real for you.
I didn't want to just do a show where my character stood out and other characters were flat or one-to-two-dimensional. I wanted everybody to have meat.
I try to deign golf courses that are individual in character and individual in their own standing.
I mean one of the basic rules when you're acting is that you mustn't stand in judgement on a character, you mustn't say Hitler was a bad man because you can't act in that way.
It is a rare American who does not have some story about how music has made our lives richer and more interesting, how it has changed our moods, brought out the best in our character and even sometimes helped us earn a living.
The movies I've made at a certain time of my life were exactly right for the stage of my life, the frame of mind I was in at the time. Each character I've had to play has been me in that time in my life.
Who isn't a fan of Jeff Bridges? And he is such a unique character. I can't think of anybody who's quite like him. He was a lot of fun to be around, just personally.
I wanted to invent myself as a fictional character. And I did, and it has caused a great deal of confusion.
We started a movement... to build character, citizenship and confidence in young people.
I think I initially started inventing characters in my songs because I didn't want to write directly about myself. Also, as a kid, I loved all the character names in Beatles songs, like Eleanor Rigby and Lovely Rita and Mean Mr. Mustard and Maxwell and Rocky Raccoon.
When the audience first sees Cooper talking into his tape recorder at the beginning of 'Twin Peaks,' I think that's the greatest introduction to a character I've seen in my career. It tells you everything about the guy right there in a few minutes as well as bringing up a whole load of questions.
In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
I'd rather go back to waitressing than play a character that I hate.
Henson had never spoken to me about Kermit, but he had spoken to Frank Oz about the idea of me doing the character if he became too busy. I felt flattered.
Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.
When you're with another actor who's also been through five hours of prosthetic makeup, and you're eating another person's neck, and fake blood is being spurted out at you for two minutes, it's incredibly fun, and you're in character for that time. You can't really believe that that's your job.
Away with that folly that her rights would be detrimental to her character - that if she were recognized as the equal to a man she would cease to be a woman!
Mother Firefly is the kind of character I've always wanted to play. She's larger than life, terribly tragic, and capable of a lot of love.
I loved 'Modern Family!' It was sort of the precursor to 'Trainwreck,' to that character. But I loved it. I had a great time doing it.
I don't fully understand my wife's emotions - and I'm supposed to write an excellent female character and unravel the secret of women?
I'd love to do a character with a wife, a nice little house, a couple of kids, a dog, maybe a bit of singing, and no guns and no killing, but nobody offers me those kind of parts.
Over the years, I have been approached about making Ramona into a cartoon or movie, but I was afraid that no one could really capture the spunky character of Ramona.
Whenever you're in any acting role you are mortgaging your own character.
A time is marked not so much by ideas that are argued about as by ideas that are taken for granted. The character of an era hangs upon what needs no defense.
It is with trifles, and when he is off guard, that a man best reveals his character.
Things like the movie 'Memento' are interesting to me because our memories of the things we've done and how we've behaved form our notion of who we are, what our character is. So if part of that were missing, what does that actually say about you? And what does it say about your sense of responsibility for things if you can't remember them?
You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
I do always like to do things I haven't done before, so I'm always looking out for things in a different genre, or a different sort of character.
To anybody who says to me, 'I'm in character,' I say, 'You should be in an asylum.' If you don't know that you're pretending, then you should really seek medical help. I don't have patience for that stuff.