People will speak slowly to me sometimes. And they always ask me if I'm all right, because I'm much more low-key and reserved than my character in 'Friends'.
Up until college age I was using the typical little-boy dummy that sits on the knee and makes woodpecker jokes. My first original character didn't happen until later, and that was Jose the Jalapeno on a Stick.
I grew up dancing, so that was always my first dream. But I also have a passion for acting. I would love to step inside of a character and be somebody that I'm not, because I feel like it just gives me an outlet to express myself without being me.
Oliver Queen/Green Arrow is a character whose core is about legacy and responsibility. And that all comes from his father and the responsibilities of living up to his legacy.
Religion is meant to teach us true spiritual human character. It is meant for self-transformation. It is meant to transform anxiety into peace, arrogance into humility, envy into compassion, to awaken the pure soul in man and his love for the Source, which is God.
I do this acting thing mostly for myself. I like to make a connection and communicate with the audience to make myself feel less lonely. I also do it to develop my own character, so sometimes I do it to just be away in a certain area that I've never been to. But mostly, the story has to do something for me.
Television is a lot of fun. It's faster-paced. The schedule is really desirable, I guess. But as far as films go, and I've only done a couple; film is like a definitive beginning, middle and end. You know your character's arch.
There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
It's always great to play a character that goes against the grain. Finn defies what people think when they think of stormtroopers.
The more I can be the character, the further I can get away from myself, the better.
Shoes for men are about elegance or wealth; they are not playing with the inner character.
If physical power be the fountain of law, then law and force are synonymous terms. Or, perhaps, rather, law would be the result of a combination of will and force; of will, united with a physical power sufficient to compel obedience to it, but not necessarily having any moral character whatever.
I love escaping into character. It's a chance to try on people that you wouldn't be brave or stupid enough to be in real life.
Even if a story has nothing to do with my life, if I can recognise something of myself in the character and think, 'Oh yeah, that's what I'd do...' Yeah, that's what I look for.
I don't avoid anything. In my songs I just choose to talk about certain things, and so yeah, there are some aspects of my character and personality that don't come out.
Nobody wants to play - I've talked to Brent Spiner about this. You don't want to play a character indefinitely who's not supposed to age.
The only way I know how to deliver is to focus; some people can turn it on or off - I'd rather stay in character.
For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.
I'm primarily a character actress.
A while ago, I did a television adaptation of 'Bleak House,' and the character I played, as far as I was concerned, had no redeeming features whatsoever. I wasn't about to try to find any; I didn't need to.
Because I grew up on 'Star Wars', that was the best example of creating a full and rich world to me as a writer. When I was watching those movies as a kid, I wanted to know more about every damn character in that universe. There was always a hint that there was a story there that you just weren't getting to see.
There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.
If taxes are laid upon us in any shape without our having a legal representation where they are laid, are we not reduced from the character of free subjects to the miserable state of tributary slaves? We claim British rights not by charter only! We are born to them.
I look at something like 'Short Term 12,' and that character has a lot of pain, and I wouldn't have known how to portray that if I hadn't experienced pain myself.
I play a character every day of my life, and I don't want to play a character as myself. They can judge me as an actress, not as a person. I'm not a spokeswoman for Anna.
I think we take for granted police officers and detectives that walk into some pretty heinous situations, and they really have to be very brave. So I love playing a character that's very brave - someone that kind of dives in the fire to figure out what's happened.
Event cinema is what it is, and I understand why it's successful. It started with things like 'Jaws,' which are extraordinary movies. But what we've lost are great character films which are beautifully directed and had great movie stars in them. Films that were about something rather than about spectacle.
It was important for me early on to find the voice of each character and figure out what was unique about them and their individual worldview that I could use for comedy or conflict.
It's hard to really get that excited about movies. Think about it like this: how many good comedy movies come out a year? Maybe one or two? And then, in those movies, what are the chances that there's a character that I'm the best fit to play? It's really small!
The biggest similarity between me and my character is that we've both played clubs for 20 years. In real life, the clubs aren't quite as controlled - and my hair isn't quite as in place as it is on 'Ally McBeal.'
I've always been quite an eccentric character. I love going out and partying; I'm a very sociable creature.
No man can climb out beyond the limitations of his own character.
I'm not very good at story. In fact, compared to character and language, I barely care about story at all.
When a place comes across vividly in a novel, it's often compared to a character. I can remember writing teachers who encouraged me to treat setting as if it were a character, to give it three dimensions, to make it come alive, jump off the page.
Entrepreneurs always pitch their idea as 'the X of Y', so this is going to be 'the Microsoft of food.' And yet disruptive innovations usually don't have that character. Most of the time, if something seems like a good idea, it probably isn't.
In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the right on the cut. In IMAX, suddenly that's like 20 feet. So I would love to do something. I think I would really want to take the massive screen into consideration so that it would be done properly.