I threw away the whole of my working history, my photograph albums, diaries and stage clothes. Shoving big, ugly discs on walls is a bit like rubbing people's faces in it, saying 'I am considerably richer than you.' It is completely unnecessary.
When I'm up on stage, I'm thinking more about my fans and about myself as a singer and an artist. When I'm at home being a daddy, the last thing I'm thinking about is being an artist. It is two things that I never really put together.
In the same way that I'm open when I speak, I'm that open on stage. I feed off the energy of the audience, too, so they're feeling what I'm feeling.
Acting for screen is very different from acting on stage, and then obviously when you dance... everything is a physical embodiment. But the discipline is the same approach. You have to take both things seriously; nothing well-crafted is by mistake.
I don't really feel any different when I get up on stage.
'Evita' obviously would always be very special to me because it was the first major musical that I did on stage and created in the U.K. with Hal Prince directing.
I get such joy out of performing for people, and you can tell whether they like you or they don't like you the minute you walk out on the stage. And they don't even have to tell me that they had a good time. I know they had a good time.
I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.
Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene.
While the lab plays an enormous role, research is also influenced by inner peace of mind and one's family environment, depending on what stage of one's life and career a scientist is at.
Carly Simon abandoned the stage for seven years after collapsing from nerves before a concert in Pittsburgh in 1981. When she resumed performing, she would sometimes ask members of her band to spank her before she went onstage, to distract her from her anxiety.
I'm a 'never say never' girl. Frank Sinatra retired four times. He kept coming back. But there are people in our business who want to die on stage. Literally. I don't want to do that.
I really, really love what I do, and there's nothing I love more than getting on stage and playing for an audience or working on a part, getting in front of the camera, and meeting all the cool people I get to meet, and going all the cool places I get to go.
I think TV, films, and the stage inform each other. It's good to go back and forth.
I used to play football for Real Madrid, and to be on stage for two hours, I can tell you it takes the same amount of strength.
When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
A choreographer deals with the movement that you create, and with a creative director it's about the story, the stage, the lighting, the costuming, executing someone's idea, choosing how far to go or how little to go, and blending it so that you feel it, you're emotionally effected.
Films are a whole new world that I'm excited to explore. But being on stage is very close to my heart; it has given me a sense of belonging. I will always try to find a way to balance both.
There is probably some great acting that goes on in movies from people who have never been on a stage, but if you are in for the long haul, you'd be missing an enormous part of what being an actor is if you're not part of theater.
At URBN, we see ourselves as customer specialists, a collection of brands, each one specializing in one particular customer group, a particular lifestyle or a life stage. We offer her things she wants in environments that inspire her. We talk to her and listen to her ideas and opinions.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
I'm intimidated every day I go on the stage and everyday I go on a movie set. It's terrifying and I always want to reshoot the first day or the first week, I'm so terrified.
The performances you have in your head are always much better than the performances on stage.
I'm always thinking I'm messing up. I did a lot of classes. I can't stand being on stage or the only one talking in a room, so class really helped me deal with that. It doesn't really get any easier, but it helps you focus on the acting.
I got to show off in front of my husband, who married me as I was stepping out of the business, so he had no idea that I could strut my stuff on the stage.
I had no inclination to perform as a kid. I was a shy child - I always had my nose in a library book. I didn't start acting until I went to college. Once I started, it seemed to fit like a glove. I felt completely at home on stage. It was the perfect way for me to express myself, even better than writing.
The bowlers I respected or feared or rated were not the ones who gave me lip or stared at me or abused me. More the ones who, at any stage of the game, when had they had the ball in hand, they were going to be at me, and they were going to have the skill and the fitness and the ability to be aggressive.
Every time I stepped onto the stage as Jesus, it felt like someone was pouring some honey into my body. It was amazing, an amazing feeling. And then when I had to let go of it, it was hard.
Maybe I'm like acts of Congress or your favorite Chinese restaurant - you don't really want to know what's going on behind the door. I'm a real study in contrast, I expect, looking from without. But it adds up to what you get on stage.
I wanted to do 'Texas Trilogy' on stage. But it didn't do well in New York. In fact, it did very badly there, thanks to the critics. It was said that Preston Jones, the author, died of ulcer complications, but the truth was that the critics killed him.
When you watch one person on stage trying to surmount their fate only in that very action to embody it, it's called a tragedy. When you see a lot of people doing it on stage, it's called 'Fawlty Towers.'
On stage, you can use your emotions. It's the place where you can channel them. They have a purpose.
As a comedian, I don't know if they're laughing because it's funny or if they're laughing at me because I'm not funny. And I'm thinking, 'Who cares? They're laughing.' If you go on stage, and they're laughing at you full-on for 60 minutes? You know, whatever puts them in the seats.
Whatever basic science resolves, at some stage it is of use to society. The problem is we do not know when or where.
The first time I sang in church, when I was ten, the applause was so overwhelming that I started to weep. My mum had to rescue me from the stage.
Sometimes I might be sleepy, and sometimes I've literally been sleeping backstage, woken up, gone straight on stage or gone crazy. It's not like I psyche myself; I don't do any of that.
