A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the other parts.
In North Koreans, the moment we are born, we don't know there's another life existing outside of our country. The regime always told us all the bad things about the outside world, describing America as full of thieves, all human scum, beggars, everyday people dying on the streets and hospitals.
I try to avoid describing one interpretation of my books. Of course I have an opinion. I have things I want to say, but I don't ever want to limit anybody, to have them say, 'Oh, he said this, so that's what it's about.' I'm happy people bring their own stuff to it.
I think you can do a lot, like describing people with their physical characteristics, things like that, but to me, I've always found it to be a much more informative question to ask somebody what they read.
