I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically.
My romantically favorite era is 78, 79 listening to Grandmaster Flash and the Furious 4, the live tapes, echo chamber and break beats.
I remember when I interviewed at MSNBC, one of the first things they said to me was, 'In your tapes, you had a mustache, right?' I said, 'Yeah, I recently took it off.' I said, 'If you hire me, you get to decide if you want it or not.' They said, 'No, no, we're fine with it now.'
When I was 10, 11, 12 years old, I would pretend to be on the radio. I bought a mixer and these big, ugly headphones and I would literally broadcast the cassette tapes in my bedroom.
You see, 30 years ago I didn't have near the audience I have now. My tapes on the cults have reached a circulation of 15 million. those are not my figures but the figures of the people who distribute them.
I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.
It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create.
The Sicilian Defense album was never released and never will be if I have anything to do with it. I have not heard it since it was finished. I hope the tapes no longer exist.
If Nixon is not forced to turn over tapes of his conversations with the ring of men who were conversing on their violations of the law, then liberty will soon be dead in this nation.
At fourteen, I started sending out demo tapes.
When I was around 13 or 14, I started getting really into songwriting. And one day, I was rooting through my mum's old tapes and records, and I found 'Grace' by Jeff Buckley. I remember so vividly the first time I put it on. It blew my mind: his voice, the way he could play the guitar. I must have listened to the album over and over for weeks.
There are so many bootlegged Joy Division/Martin Hannett tapes, a lot of really bad bootlegs on the Internet.
And we broadcast tapes sent to us from Americans against the war. These were most effective I believe.
I don't have tapes of meditation, but I put on the meditation station. I did as a player, too. I used to always play the game before the game happened. As a coach, I do the same thing.
These tapes have been found, which were taken from the desk and various bootlegs. At the time we never got to hear them, they didn't seem to be available or they just got put to one side.
I had all these tapes in my closet that I had shot years ago with my friend Jean-Michel Basquiat. I was working on a film about him when he died, and then I just put everything away. It was too sad.
When I was a kid, among the other embarrassing things I would do, and there's a list of stupid things, but I would make these dumb comedy tapes. I would often make prank phone calls, but I would also do it with friends.
As far as I know, no tapes exist from my years at 'T.J.'s.' I wish they did.
I can't get a relationship to last longer than it takes to make copies of their tapes.
If you listen to my tapes, you'd hear 14 different ways to arrange the rhythm guitar behind the harmony vocal, and then 14 different ways with a different vocal. You'd have to really be a music lover to sit through that and find it entertaining. I enjoy it, but I'm easy to please.
I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.
I still like to keep tapes of the few minutes before the final take, things that happen before the session. Maybe it's superstitious, but I believe if I had done things differently - if I had walked around the studio or gone out - it wouldn't have turned out that way.
There's an institution here called the National Sound Archive, and there's a character who works there, Paul Wilson. He takes a very special interest in the history of the music and advised Martin Davidson of the existence of these tapes.
Lots of people I know have bootlegged tapes of performances and if they play it I will be transported back sometimes with happiness, sometimes with horror.
People's arrest tapes, mug shots, everything is online.
I loved the Oscars, and I had V.H.S. tapes for the Oscars, and I used to watch them over and over. There was probably one year where I watched it, like, 20 times or something.
I use to live on this street when I was a kid where there was an old person retirement home, and all of the old people would listen to that band Herman's Hermits, and they would wear white nursing shoes. And they would throw away stacks of VHS tapes, and I would go through the trash and take them.
Getting the ideas are a struggle for me. I'm doing better now that I use the concentration tapes. More unusual ideas.
When I was in high school, I started getting into Japanese wrestling. For me to watch those matches, I had to order VHS tapes through catalogues, and these tapes were, like, $20 each.
At this point, I've really failed at a lot of things. It's nice to be able to say that, in a way. I've failed at music. I've failed at dance. And acting - there have been times when I went out and read lines to audition for acting parts. I believe that if anybody wrangled together those audition tapes, it would be pretty hysterically funny.
In a serious relationship, I will definitely write music about a guy. I'm totally into mix tapes and I'm all about small little things. I'll drop by their door and just leave a gift or come over if they're sick and make them chicken noodle soup and rent a DVD and play board games. I think those little things mean a lot to someone.
I think the process of 'SNL' is still pretty formal. You make an audition tape, your agent sends it in, they watch people's tapes, and then they invite people to perform at a comedy club in Los Angeles or New York. But I don't know how much actual scouting they do online.
The White House tapes, the recordings that Nixon made of his conversations in office, have long been recognized as a marvel of verbal incontinence.
I was always interested in comedy, like when I was 5 years old. I watched 'I Love Lucy' and 'Benny Hill.' I would always joke around with my sister. My mom was into comedy, too. She would go to the video store and get a couple of movies and some stand-up comedians' tapes.
When digital technology started becoming the norm, you've got 50, 60, 70 years of recordings on tapes that are just deteriorating. Like, a two-inch reel of recording tape won't last forever. It dissolves. It will disappear.
I'm very, very private; I don't enjoy talking about myself to strangers. Particularly strangers with tapes going.
