It was always inevitable that if you get serious trouble in any family then everybody's inclined to look at the head of that family and see if they see any cause or reason to associate it with the head of the, head of the family, why it should be.
Look, in 1800 the sainted Thomas Jefferson arranged to hire a notorious slanderer named James Callender, who worked as a writer at a Republican newspaper in Richmond, Va. Read some of what he wrote about John Adams. This was a personal slander.
I write songs as honestly as I can without worrying about genres or labels. Sometimes I sing, and sometimes I rap, and sometimes I do something in between. I jump around on stage and don't care too much about how I look. I try to be myself even though I'm still figuring myself out.
When you are just muscle, you end up being gaunt in the face, and that makes you look older by 5 or 10 years. I don't think of getting older as looking better or worse; it's just different. You change, and that's OK.
I look back at old photographs and videotapes, and I go, Who was I trying to be? Who was I doing this for?
Thematically, I like playing with the ideas of stuff that you try to bury, and you think will go away, but instead you carry it with you until it becomes crippling. And sometimes you have to look back and deal with some stuff in order to truly move forward.
To me, it was shocking that a government of men could look with such extreme contempt on a movement that was asking nothing except such a simple little thing as the right to vote.
In the stillness of your presence, you can feel your own formless and timeless reality as the unmanifested life that animates your physical form. You can then feel the same life deep within every other human and every other creature. You look beyond the veil of form and separation. This is the realization of oneness. This is love.
Look at a book. A book is the right size to be a book. They're solar-powered. If you drop them, they keep on being a book. You can find your place in microseconds. Books are really good at being books, and no matter what happens, books will survive.
If you look at the ecological circuitry of this planet, the ways in which materials like carbon or sulfur or phosphorous or nitrogen get cycled in ways that makes them available for our biology, the organisms that do the heavy lifting are bacteria.
I never did a dirty armpit. You can look dirty, but you can't be dirty.
I look on most religions as fear-based rather than love-based. I've drifted away from all that. Yes, I think I'm more spiritual. I just don't go and pretend every Saturday or Sunday that I'm in this wonderful club. I'm exploring.
I don't want people to look at me.
If you look at the Internet, the vast majority of start-ups are not successful. But the ones that are, are very very successful. So you can't point to the unsuccessful ones and say, 'There's no hope for this field.' It's just that they had the wrong idea or they had bad execution.
'Walking the Bible' describes the year that I spent retracing the five books of Moses through the desert, and I was actually working on a follow-up, which would look at the rest of the Hebrew Bible and the New Testament.
I'm always working on our home, but I want to keep the old look to it.
The longer you look at an object, the more abstract it becomes, and, ironically, the more real.
In falling over in heels while trying to look attractive, you don't just hurt your body, you bear the humiliation of injuring your very soul. Physical pain? Whatever, bring it on. But the humiliation? Oh, you have seen to the very weakest part of me.
I'm a big believer that accessories can make or break a look.
I had ballooned out to close to 400 pounds at one point. And in the '80s, we were just beginning to get on video and disco. So therefore, I did not fit in, and my record company let me go because they said, 'Look, you're just not marketable enough with the weight problem.'
Sometimes kids ask how I've been able to write so many books. The answer is simple: one word at a time. Which is another good lesson, I think. You don't have to do everything at once. You don't have to know how every story is going to end. You just have to take that next step, look for that next idea, write that next word.
I was literally told for 'The Show Goes On' that I shouldn't rap too deep. I shouldn't be too lyrical. It just needs to be something easy on the eyes. Like a record company telling Picasso that we don't need these abstract interpretations of life, where people have to sit down and look at it and break it down.
Misconception Number 1, the public always thought, 'Reggie has a massive ego; he's narcissistic, he's cocky, he needs everyone to look at him all the time,' because that's what the media told them. Wrong. I could handle the attention. I didn't let the attention affect my performance. But I never needed the attention.
I would like to look back on my body of work and be proud of each record in its own right, but as a whole, I want to continue to grow and move forward.
Olivia Hussey from Zefferelli's 'Romeo and Juliet' makes the intense vulnerability of true love look magnificent.
I look forward to the day when being called 'another Monica Lewinsky' refers to the hard work behind a master's degree in social psychology from the London School of Economics, after spending the first act of one's life deflecting the shame of a scandal that should have rested on the shoulders of a man old enough to have known better.
'Words and Music' on Radio 3 is always a treat. Actors read passages of poetry and prose interspersed with music, and nobody tells you what it is. Later you can look it up online, but at the time you can't cheat.
There's something about wearing clothes that your great-grandmother might have thought were nice that makes you look older.
I kind of look like every other girl, walking around.
I feel to look for perfection is a very dangerous path. More than that, it's dangerous because it doesn't exist. You can aim for it, but you already know you won't get there because it doesn't exist. Plus, I definitely think the flaws, little cracks, and accidents are a lot more interesting.
I'm just very body-conscious. Sometimes I'm really proud that I don't look like other pop stars. But there's also moments where I'm like, 'Ugh, I wish I had abs like Bieber.'
When you look at the actual numbers, the number of people who died after 9/11 was greater than the number of people who died in 9/11, even if you are talking Americans. But you know, I don't like to talk Americans. I want to talk everybody. More innocent people died after 9/11 because of 9/11 than died in 9/11.
Years ago, I did an interview about my mother for a publication called 'Info' magazine, and during that interview I told the reporter about my mother's leiomyosarcoma. She had had a hysterectomy, but at the time of it, the doctors didn't even think to look for sarcoma.
I actually don't wear any makeup when I'm on the field. I like looking nice, but my main concern is how I play - to me, if you look and feel good, then you play good. On the field, I only wear Coppertone Sport SPF 30. I like it because it feels like I'm putting on lotion rather than SPF.
The most important item on my desk is a picture of my husband and three kids making kooky faces at my niece's wedding. We all look silly and happy.
I'm Irish and always will be, but America has taught me so much. Maybe it's here in the U.S. that we find a healing, for in the broader melting pot we get to look at some of these self-destructive attributes that we bring to bear upon our own quarrels and begin to solve them in ways other than just splitting apart.