I am preppy, geek-chic with a touch of Bozo the Clown with a touch of 'Showgirls.' Sometimes, I look at myself and think I should put on a red nose, white face and maybe entertain some kids.
People look at me, and they don't see what they think is a typical Aboriginal. I always thought I'd be the white person in a black play.
Some people think that my shows are just for shock value, but the provocation makes those classic pieces look different every six months. You don't need to see the same gray suit every season. But surrounding it with 40 really interesting ideas makes it feel new.
I am one of those faces that it's sometimes, 'Oh my God, you look so familiar, but I can't pinpoint it.'
I get a good colour in summer but go really pale in winter, and it genuinely doesn't suit me, as people ask me if I'm ill. As well as making me look a bit better, I often have to be tanned in the middle of winter to do a show or programme, so I've road-tested every fake tan on the market.
When I look at my life and the lives of my female friends these days - with our dizzying number of opportunities and talents - I sometimes feel as though we are all mice in a giant experimental maze, scurrying around frantically, trying to find our way through.
I remember a picture on the front page of the 'Sun' during the Brixton riots: a rasta guy with a petrol bomb, and a headline saying something like: 'The Future of Britain.' And I thought: 'Wow! Look at the power of that image,' and I wanted to get behind the camera to make these people three-dimensional.
When I look back, I am happy that my mum took me to the gymnastics club. I didn't join gymnastics to become a famous athlete or celebrity; it just happened - I did more than I expected, of course.
People are lost. Their feelings are based around material things, and because that doesn't make them happy, they look for something else: bullfighting or soccer, or they go travelling, off to India - and that's not right. You can't just decide, 'I'm going on holiday to India.' Only when God allows you to. You have to ask His permission to go there.
Ariel may look a lot like Barbie, and her adventure may be limited to romance and over with the wedding bells, but unlike, say, Cinderella or Sleeping Beauty, she's active, brave and determined, the heroine of her own life. She even rescues the prince. And that makes her a rare fish, indeed, in the world of preschool culture.
The mentality in Washington is, 'Look what our government - what our government can do for the American people.' We've got to get away from that mentality, and realize it's too expensive. We can't afford it.
Perfect is very boring, and if you happen to have a different look, that's a celebration of human nature, I think. If we were all symmetrical and perfect, life would be very dull.
For me, I like to look presentable when I'm outside. I'm not going to come to the office with nasty hair and pajamas just because I stayed up all night - that's just who I am.
To be a truly conscientious artist, you have to look at what's not working and challenge it. You riff on things.
I used to wear sweats and a T-shirt to auditions, but my agent would yell at me and tell me I had to look nice and presentable. So I had to drop that habit.
I have friends who are black, white, purple, gay, straight, Martian, yellow, old, and young. I have friends who are animals and a few who I believe to be robots. All of them are people to me. In my mind, it's not about what you look like or what you do; it's about who you are inside.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
I think we're living, in terms of media, in a very democratic age, but I think that we still look at everything through the lens of 'Vogue' and through our own point of view.
I dress according to the requirement of the film, as a true actor. Off the camera, I'm just me. I have my preferences and my personal style. Before I step out, I look into the mirror just to confirm that my style is intact. Beyond this, it doesn't matter.
I look at that 10 PGA Tour wins, and I say to myself, 'That's not enough,' and it isn't enough for me. It's just 10. I want more than 10.
When I look at my career, I was really about defending.
For as long as I can remember, I have wanted to be a godly person. Yet when I look at the yesterdays of my life, what I see, mostly, is a broken, irregular path littered with mistakes and failure. I have had temporary successes and isolated moments of closeness to God, but I long for the continuing presence of Jesus.
You don't have to look any farther than the state of California to know that having a 'Gordian knot' of conflicting measures acting upon on your state budget is a recipe for disaster.
I have grown up but that should be a positive thing. When you look at a photo album it's lovely to remember being so young but it's also good to know you grew up!
I consider myself pretty lazy, but I look back and check out the stuff I've done, and I say, 'God, that's a lot of stuff for a lazy guy.' It's a paradox, I suppose, being both things.
When I finish a first draft, I often look back at first chapters I wrote and laugh at them. They're like pictures of yourself in middle school. You're embarrassed to see them.
De facto, you have a multi-speed Europe. You look at the Schengen, you look at the euro zone, all this kind of cooperations, you have a multi-speed Europe.
I always look for contradiction in a character.
If you look at how long the Earth has been here, we're living in the blink of an eye. So, whatever it is you want to do, you go out and do it.
Look at the world of both film and indie games, and you'll find a startling similarity between the two when it comes to creating the perfect horror story. The tricks storytellers pull to make your blood run cold never change; a creaking floorboard, the eerie feeling of being watched, wandering into a world filled with unspeakable terror.
Everybody right now, they look at the current technology, and they think, 'OK, that's what artificial neural nets are.' And they don't realize how arbitrary it is. We just made it up! And there's no reason why we shouldn't make up something else.
'Whatever it takes' is my opinion of method acting and, indeed, any other kind of acting. Look at Brando and De Niro. But it's not my cup of tea.
I don't like to consider myself a normal preacher. When you look at religious people, they're the ones who hung Christ from the cross. I look at myself as a man carrying a message of hope.
I look at the world and peer into products and think, 'What's wrong with these products?'
If you are handed something, it's a blessing and a curse. Look at hip hop artists, they produced everything themselves. Even people like Robert De Niro are getting into production. Again, it's art vs. marketing. Not everyone can take the risk. You have to break a few eggs to make a good omelet.
Look, I owns guns.
