Zitat des Tages über Aschenputtel / Cinderella:
As a kid, I was a dancer in Dick Whittington, Snow White and Cinderella. When I was 14, I played Baby Bear. I had a big head on, and you couldn't see my face. My mum was very disappointed.
Ultimately, 'Cinderella' is the story of the underdog. You root for her in this fairytale; the girl who has nothing, deserves so much more, and gets it.
Cinderella is not only an iconic character when it comes to beauty, grace and fairytale love, but also shoes.
People say I have my own Cinderella story, and in a way, I guess I do.
I remember liking 'A Cinderella Story' with Hilary Duff a lot when I was younger. I loved that movie, but maybe it was because of Chad Michael Murray. It was a really sweet movie, and I always liked Hilary Duff.
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have ever got anything. Like... there was no need to put me in 'Cinderella Man' - there was no need. Why? Just get an American actor - it would've been cheaper, probably.
I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.
For many of us, our proms were less Walt Disney's 'Cinderella' and more Stephen King's 'Carrie.' The less we spent on them, the better.
I was thinking that when I have children, that I should always dress as a character for them, so they think their mom is Alice in Wonderland or Cinderella. It would be totally messed up!
With While You Were Sleeping, it was so much fun and such a Cinderella story, that I didn't want to do another romantic comedy. I wanted to do the opposite.
No one looks twice at me when they're around, and 'Cinderella' has made no difference. And I know that isn't going to change.
I'm not a happy-ending person. I want to know what happens once Cinderella rides off with Prince Charming.
I heard about the Holocaust before hearing the 'Cinderella' story or watching 'Peter Pan.'
In 1893, Miss M. Roalfe Cox brought together, in a volume of the Folk-Lore Society, no less than 345 variants of 'Cinderella' and kindred stories showing how widespread this particular formula was throughout Europe and how substantially identical the various incidents as reproduced in each particular country.
I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
I get so bummed when I have to return the clothes I'm lent. It's easy to feel so special, but like Cinderella, you lose your shoes.
When I was little, I used to watch Disney movies all the time, and it drove me crazy that Cinderella's tights wouldn't gather at her ankle when her foot bent, so I kept trying to make sure that I didn't get those little creases on my ankle because Cinderella didn't have them.
Cinderella is making her Broadway debut. It's an honor to step into that position and, in that way, I am creating a role because it's never been done on Broadway. I feel so honored.
I've always thought Prince Charming in 'Cinderella' was the most boring role; I'd rather be the Wicked Witch.
I grew up on all of the great spy movies and TV series of the Sixties - not just Bond, but Derek Flint and the Avengers and Modesty Blaise and the Man from UNCLE and on and on. Every time I sit down to work on Cinderella, I'm writing a love letter to all of those characters.
People talk a lot about, 'You're a Disney princess! You're Cinderella!' and this and that. But for me, it's all about the fact that I worked with Cate Blanchett and was directed by Kenneth Branagh. That's the 'Cinderella' story for me.
Until quite recently dance in America was the ragged Cinderella of the arts.
I like Cinderella, I really do. She has a good work ethic. I appreciate a good, hard-working gal. And she likes shoes. The fairy tale is all about the shoe at the end, and I'm a big shoe girl.
Someone at Disney heard one of the records and called me in to do the sounds of Lucifer the Cat in Cinderella.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
I love to play a character. If I'm playing Cinderella or Aurora in 'Sleeping Beauty' or something like that, then I enjoy classical a lot. But to do just a two-minute solo, purely to show classical aesthetic, is not my favorite thing to do.
He obliged Cinderella to sit down, and, putting the slipper to her little foot, he found it went on very easily, and fitted her as if it had been made of wax.
My mother used 'Cinderella' as the antidote of what was in store for me.
I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
I pride myself in the fact that in the six months tour of Cinderella, I didn't take one show off.
Before 'Cinderella Man,' I didn't box. But I boxed. It's possible. You go and you work hard at things.
I've been a character actress right from the beginning. I was no more like 'Cinderella' in my real life than I was like the neurotic poet in 'Cop.'
I'm kind of a grinder. I'm a Cinderella, an underdog story who fights.
Any consideration of the story we call 'Cinderella' for simplicity's sake must acknowledge that 'Cinderella' has had a dizzying array of personae over hundreds of years, in several cultures. There is no one authoritative tale of 'Cinderella,' only a hall of mirrors with a different face in each reflection.
My folks met at the University of Oklahoma, in the theater department in the 1940s. They were married touring the country in 'Cinderella' and 'Snow White.' My mother was married in Cinderella's costume; the dwarves were the best men.
I grew up when Disney was doing movies like Cinderella, and all the girls were princesses.