I believe in Liberty for all men: the space to stretch their arms and their souls, the right to breathe and the right to vote, the freedom to choose their friends, enjoy the sunshine, and ride on the railroads, uncursed by color; thinking, dreaming, working as they will in a kingdom of beauty and love.
Shelters, conservationists, those concerned about unnecessary cruelty toward the animals we eat, and people working against species extinction fight to preserve the true riches of our planet, our real inheritance. These are big, critical goals.
Working with Mr. Armani is such an incredible experience because he's so creative and such a visionary, and Linda Cantello is amazing and a true artist.
By the time I got into Juilliard, I was working at a Target distribution warehouse. It didn't make anything, it just shipped things, and my job was just to stand there and look at the security codes on the back of trucks and see if they would lock, and check them in.
Most of the reason I work out now is not for the external - it's for how I feel. I find working out gives me more energy. I started eight days after he was born.
My wife and I, unlike many intellectuals, spent five years working on assembly lines. We came to fully understand the criticisms of the industrial age, in which you are an appendage of a machine that sets the pace.
I started working at a soup kitchen in skid row of Los Angeles when I was 13 years old, and the first day, I felt really scared. I was young, and it was rough and raw down there, and though I was with a great volunteer group, I just felt overwhelmed.
Besides buying a mansion or something, everything I wanted I always got. I'm just ready to invest it and save it. Otherwise, life can hit you, but you can't go back to working at Home Depot. That's why I always just be stacking.
When you're out on the road touring and touring and then making records, you're just constantly looking forward, constantly working. You don't really stop to look at where you are or where you've been.
When we were working on 'Taxi to the Dark Side,' we would purposefully not show it to certain people in the cutting room, because we would include a lot of horrible material and would need a fresh pespective. They would look at us and say, 'Are you out of your minds? You can't include that!'
We need to make sure that the things we are already working on turn out to do the things we believe they can do and creating value both for the world and ultimately for Google.
I basically took six or seven years off, but then I had another five or four of me not working at all because I was in school. It was really 13 years of me not working at all... I really couldn't even think about it.
The start-up life kept me busy and surfaced the problem of not being able to stay on top of my personal finances, which led me to invent Mint.com. I was working 80-hour weeks, and had done enough preliminary work and research to know I had a big idea: To make money management effortless and automated.
Whenever I am working or training, I feel good.
All I wanted to do was be a working actor.
Our message to leaders from every continent was simple: California has succeeded on climate and clean energy because we've emphasized local, human values and built a coalition that includes community and environmental leaders, working families, and communities of color - as well as unions and progressive business.
As Michigan's voice on the Senate Finance Committee and Senate Energy and Natural Resources Committee, I will continue working to make sure the next generation of advanced technologies and alternative fuel vehicles are made right here in America.
Personally, I've learned about perseverance: when you hear the word 'No,' and when you hear rejection, that it's not always final. And that timing is everything, and you have to stay the course and just keep working hard and know that, when your time comes, that it will be sweet and that it will be the perfect time.
I met a woman working 30 hours a week, trying to make ends meet, three children. And she slept the night before I met her in her car because she's homeless. We can do better. We can build a nation of shared prosperity.
If I'm not in the dead heat of working on something, I can end up spending tons and tons of time on the Web, and I hate it. I feel the same shame I did in grad school when I was pretty much addicted to reruns of 'Star Trek: The Next Generation'. I wish someone would make the Web just go away. Just remove it from the earth.
I'm working on a new creator-owned series for Vertigo called 'The Discipline.'
I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished 'Drown' was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
I think as working actors, it's like sales. You're only as good as your last sale, so you put your all into something and you just hope that from that you can get your next job.
I was trained to serve the writer and director as an actor before I serve myself. Not to say that's gotten in my way, but that's a different way of working than most American actors work.
I don't want to look exactly the same in everything I do. And if I'm not identifiable, then that can be a blessing or a curse. But I'm fine with it. Because at the end of the day, I'm still working, and I'm enjoying what I do.
The reason it was so bruising when someone said I was from a rich family is that, like many of us, I'm deeply invested - probably overly so - in the myth of my own self-creation. I like to believe that I got where I am, such as it is, by working hard and charting my own course.
I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
Whenever you fly into Louisville, you see a sign that says, 'It's Possible Here.' I remember my first time seeing it - I think I was coming home from the studio in L.A. - I was working on my debut album, and I just thought, 'Wow, it is possible here.'
You want to work with good people. When you're working with good people, it frees you up. There's nothing worse, as an actor, to show up and then feel like you have to protect yourself somehow because you don't feel like you're in good hands.
To be honest with you, my physical state is usually dictated by the project I'm working on at a given time.
I had the pleasure of working for Hart Hanson as the writers' assistant on the Fox show 'Bones.' He was always willing to take five minutes in the kitchen and answer questions I had about writing and the business. Looking back now, I realize he might have just been politely waiting for the coffee to brew.
Unfortunately, we are finding the bureaucratic inefficiencies and red tape have a tendency to slow the efforts of individuals and communities working to rebuild.
The only real experiences I've had with therapists were the ones who were working with me and my family when my mother was ill.
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time, they're like, 'Can you try it this way? Can you try it that way?' That's each line in the song, for each song.
I'm slowly working up the courage to sing in front of other people, but I can carry a tune. I do some mean karaoke.
