I want Yahoo to be the absolute best place to work, to have a fantastic culture.
I'd really like to work with Johnny Depp: he seems like a really cool guy; he can do a lot of different things.
In detective land, you have to deal with a lot of intense emotions, so you yourself have to remain mostly unemotional and detached. These are people, like law enforcement and surgeons, in professions that don't have the luxury of being able to be emotional or to break down. In my line of work, it's almost a requirement.
I would love to work with the great movie actors of our time.
People I respect complimenting me on my work in fashion is more exciting to me than anything I ever achieved as a Spice Girl.
As a director, we work ridiculously hard on every detail, and we do everything to the billionth degree, and mostly people notice nothing.
I've never been a social bunny. I thrive on work.
Most directors have little lists in their heads of people they really want to work with.
If you decide you want to change your life around, it doesn't matter where you came from, what you did, if you were incarcerated or you are from the projects, if you are an uppity kid who came from a really wealthy family - and all of them do drugs and are into that life - it doesn't matter; come as you are, and God does his work.
It's taken me a long time to get work, so that's why I like to play really different characters that are really foreign to me. I want it to be something great, and I want to have a great experience.
For the sake of future generations, we must continue to work together to realise a world without nuclear weapons.
I literally can't get anywhere now without the map on my phone. I used to use an A-Z when I first came to London, and now I really struggle because there's no dot to show where I am. And I think that part of my brain doesn't work any more.
Working on a token is similar to working on a startup: higher risk and lower initial impact but higher upside potential. How core protocol work is best funded beyond the initial Ethereum Foundation endowment is an open question, but likely further out.
Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.
The people who are in the military work very hard, often for not much money, to make their country better and to protect their country. And I have nothing but respect for that.
I'm very much involved in art. I started buying art a few years ago and really like the work of T.C. Cannon, who is a native American artist. Then I was introduced to Soviet-era Russian impressionism and started collecting that, especially Gely Korzhev.
Unlike a typical professional, I can't quit my job to become a full-time author; I don't have that luxury. For me, writing is therapy; if I choose to write full-time, it might start feeling like work.
I joined the staff of EMI in Middlesex in 1951, where I worked for a while on radar and guided weapons and later ran a small design laboratory. During this time, I became particularly interested in computers, which were then in their infancy. It was interesting, pioneering work at that time: drums and tape decks had to be designed from scratch.
You can do crunches all day long, and you abs will indeed get bigger and stronger, but you will never see them. The only way to see the muscles you work so hard for is to lose weight globally - across your entire body.
I have a personal trainer who I work out with. She's amazing and as well as making sure I do loads of sit-ups and press-ups, she also keeps an eye on what I eat.
You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.
The truth is that I don't work any harder than anyone else in the world. I don't work 18-hour days. I don't stay up until 4 in the morning trying to finish a line.
'Feminist comedy,' practically an oxymoron, had a couple of good years after WWII. Chalk it up to the forced female autonomy that occurred during wartime, when Rosie the Riveter went to work in the factories, constructing the Allies' war machines while taking charge of the finances, the home, and the children.
Try really, really hard not to judge your own work too harshly.
As a past president of the Writers Guild, I think women shouldn't write for free. Maybe you have to do it for a time, to make a reputation, but I think the idea of giving your work away is the beginning of authors not being able to make a living.
When I went back to New Hampshire after graduating from law school, my plan was to go work for a private firm because I had to pay some student loans off and make money and really just be in the private practice of law. Which can be very rewarding.
I box every day. I have a gym built wherever I go, so I still got my gym. Every day, I try to get in there and work out the mitts.
I promise to myself I will make cars that work and functions worldwide.
The grim reality is that most start-ups fail. Most new products are not successful. Yet the story of perseverance, creative genius, and hard work persists.
I think 'Humans' is more about provoking the idea that there is a class of beings in society that we treat as less than... as subordinates; people who we treat badly and take for granted. Often they are the same people who work hard to keep the city going. We need to think about that.
If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.
As CEO of a big company, I have to be a kind of a champion of the interests of our people as insofar as their ability to do their job, to feel comfortable in their work environment, and to be able to fulfill their ambitions.
In terms of finding that first international recognition of my work, coming back to Cannes is such a milestone in my life because it began actually with 'Devdas'.
I've found that most successful people do things because they get personal satisfaction from the work that they do.
Many people don't think that the poor in the developing world can do work on a computer. They won't say it explicitly. But they think it's too sophisticated.
It's kind of a lonely work, because you just have to keep your pole in the water. I always had a little routine of going into whatever room I was using at the time to write in and just staying in there till I felt like I got a bite.