I like Bill Murray a real lot. I like Andy Kaufman.
I believe in the ethos of the remix, like Andy Warhol making a painting of a Campbell's soup label.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
You can't TV surf without coming across an Andy of Mayberry episode where you've just got to watch Don as Barney. That's why I put Don in several of my movies.
We loved Andy, so we wanted to keep him. He was in both bands, but Nerve Agents broke up.
I did a film in which Andy Garcia and Michael Keaton both played the leads, 'Desperate Measures,' and interestingly enough it was their biggest payday. The film didn't do well, and it kind of marked their careers. They've done less since. It all changed.
Andy Warhol made fame more famous.
I played a killer twice. Once on 'Matlock,' on Andy Griffith's show, I got to play the killer.
Well, when I came to Hollywood, there were three names really of Latin actors, three or four names, maybe five. There was Raul Julia, Edward James Olmos, Andy Garcia, Antonio Banderas, Jimmy Smits. Now there's a lot.
I would go to the all-night grocery store and pretend that I was at Studio 54 because it was the only place open all night. Truman Capote in the frozen foods. Andy Warhol over in vegetables.
I keep mementos from everything I've done. I've got my cab driver's license from 'Happiness.' I've got a pair of glasses and a belt buckle from playing John Lennon. I've got a pair of sunglasses from playing Andy Warhol... It's all in a box in the garage.
I could remember thinking when I met him, 'Wow, that's Andy Sanders from Houston. He's really good.' And he tells me he said, 'Wow, that's Jimmy Walker. He hits it really far.'
Andy Warhol was a good friend of mine. We used to go to the Studio 54 nightclub together with the likes of Liza Minnelli, and we'd dance through the night.
It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
25 years ago, when I started in New York, I had the pleasure to cook for Andy Warhol. At the time, I could have traded art for food - I should have done so, because I could get his work for nothing!
My home town was really great to me. If you've ever watched 'The Andy Griffith Show,' it's like Mayberry.
There's no tradition today except initials, 'CSI,' 'NCIS,' all the rest. Even with reruns today, people don't know there was a 'Dick Van Dyke Show,' or 'Andy Griffith,' or 'Cheers.'
Blacks on prime-time TV are only portrayed as comedians - and often in no better a light than 'Amos & Andy.'
Andy Chase and I were keyboard players originally, and we became guitarists later. But it's fun for us to focus more on the keyboard stuff sometimes.
Maybe I have an affinity for Andy Griffith because we both grew up in North Carolina.
Halston was one of the hardest-working designers I have come across. The way he cut, moulded, manipulated and draped fabric was inspiring. I was submerged into the Halston subculture alongside Andy Warhol, Liza Minnelli, Elizabeth Taylor and Truman Capote. They shaped who I have become as a designer.
Andy Clark refers to humans as 'natural-born cyborgs.' What he means is that we habitually extend and change our body-concept without even thinking twice about it.
People used to say, 'Andy Serkis lent his movements to Gollum,' and now they say, 'Andy Serkis played Caesar.' That's a significant leap.
I always knew Andy Hageman would publish incredible eco stuff.
Originally, I wanted a pop career and formed a girl-band 'Genie Queen' managed by Andy McClusky from 'Orchestral Manoeuvres in the Dark', but it didn't work out. My brother John is the talented singer and song-writer with 'The Razz,' while my other brother Sean is a footballer for Telford United.
I was wrapping up my stint on 'Daredevil' co-writing with Andy Diggle during the Shadowland story, when Marvel asked if I was interested in doing something else with DD but a bit different. When they explained the purpose of the 'Season One' books, I was intrigued - I'm a big advocate of books for people new to the medium - and said yes.
I had a fifth grade teacher who, as a very small way of trying to contain my class clown energy, gave me 10 minutes at the end of class every Friday to present whatever I wanted. A lot of the time, I did an Andy Rooney impression. I would sit at her desk, empty it, and just comment on what was in there.
I was heavily influenced by Andy Kaufman and Steven Wright.
Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political.
