I'm always drawn towards the darker stuff, because I think it's just a lot more interesting. But it's also good fun doing the comedy, and I think that's why 'Misfits' has been great in that way, as you get a really good balance. I think it's best to try and do everything as an actor, really.
Life can be a lot broader... when you realize one simple thing: And that is that everything around us that we call life was made up by people who were no smarter than you. And you can build your own life that other people can live in. So build a life. Don't live one. Build one. Find your opportunity, and always be sexy.
Everything Sholom Aleichem talks about in his plays and his short stories is about people, family, man's relationship with his God, the breaking down of tradition.
I had everything I'd hoped for, but I wasn't being myself. So I decided to be honest about who I was. It was strange: The people who loved me for being funny suddenly didn't like me for being... me.
I've played different nationalities, and everything from vulnerable to strong to crooked to demented. It just increases your possibilities of work because, if people know you can do just about anything, then you're going to get more offers. That's what I want to do.
The human race is already social, and the smartphone has everything needed to enable them to act on their social needs.
Always stay grounded and enjoy everything that comes your way, whether it's the chance to go for a opportunity or getting one.
The first six years of a child's life, it is like a tape recorder is on. Everything it sees, smells, touches, experiences in any way, whatever it hears, is being downloaded into the brain before the consciousness of the child is even made apparent.
I think of Bret Hart as somebody who held the Intercontinental championship like it was the World Heavyweight championship. Every title match he was in felt important, like it was the most important thing on the show. The way he carried himself and the matches he had, it was just everything I thought a champion should be.
I love kimonos because you can just throw them on over anything. Ever since I got my first kimono from Lane Bryant in high school and thought, 'This is amazing; I can wear it with everything!'
Media is everything. It's everything.
If you're 22 and got everything you want, what are you going to write about for the rest of your life?
I was the Playmate editor for 'Playboy' for two years. I produced two years' worth of centerfolds. I did everything on that, from picking the girls to designing the sets to picking the wardrobe, coming up with themes, assigning the photographer, down to editing the photos and approving the retouching.
This life is for us to discover the divine within. And that's really the key to life in many ways for me. And the thing is, it's not for us to reason why everything is what it is... just do it.
I remember reading the book in high school and always thinking of Gatsby as this strong, stoic, suave, mysterious man who had everything under control. But when I read it as an adult, I realised he is a hollow man, a shell of a person trying to find meaning, who is not completely in touch with reality.
I have everything that I could possibly want in life, from a gorgeous granddaughter and a wonderful wife, brilliant students, the best job anyone could hope for, and about half of my hair. Not the half I would have kept, but no one consulted me.
When good things come in, my agent calls or sends me the script. But I allow them to sort through the offers so that I am not just sitting and reading everything because honestly, sometimes the scripts that appeal to me are projects that are not good projects, but I just really like the script or the characters.
Sometimes kids ask how I've been able to write so many books. The answer is simple: one word at a time. Which is another good lesson, I think. You don't have to do everything at once. You don't have to know how every story is going to end. You just have to take that next step, look for that next idea, write that next word.
Eventually, I realized that I would not have a life until I buckled down. Once I did, I auditioned for Juilliard - and that changed everything.
When you lose everything, and I mean everything, you sit there in this empty room in the dark, and the only person who can get you out is you.
I'm not really into the business of giving out tips, but if you are not using an all-encompassing software to integrate and sync your schedule, then you might be losing time. Most of these are free, and they can allow you to keep track of everything in one place and then access that from your computer, phone, or tablet.
I like to do everything I can to avoid rehearsals, even while we're rehearsing.
I'm going to give all my money away, eventually. I don't believe in all this hand-down stuff. Even if I had kids, I don't think I'd want to give them everything.
Most of us still haven't grasped the fact that everything we commit to the digital space - not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.
Other than my family and my close friends, there's nothing I love more than owning the team and doing everything I can to make it a success. That's how I live. That is me.
Old age is a wonderful time of life. At least, that's what everyone tells you. But let me tell you: it is not true. What's true is that your hips, knees and ankles gradually give up on you - everything is quite dreadful, really. And it was a terrible thing to have told us because we believed it.
In Hollywood films everything is tidied up at the end with clean lines and clean character definitions. It's sort of unsatisfying.
Necessity is the strongest of things, for it rules everything.
I wanted to be an empowered woman, and I became an empowered woman. And now I want to empower every woman. And I do it through my clothes, I do it through my words, I do it through my money, I do it through everything.
I learned everything, right or wrong, about honor and love, all those things, when I was a kid watching movies. I learned as much there as I did from my parents or my schooling or anything else.
Everything I achieve affects my family as well, and suddenly, my kids' dad became the most famous man in the country for a couple of weeks.
The days of exploration of Shackleton and Scott are long gone. Everything has been climbed, crossed, done. Now what we're exploring are the full boundaries of human endeavour. It's not physical - it's all in the head.
I grew up with nothing, so whenever I got to where I could have something I felt like I needed to have everything I couldn't have when I was young.
I came to understand that I'm never going to be the perfect mother, but I'm going to do the best I can. Same goes for everything in my life.
I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.
I'm like, 'Wow, I guess a lot of people didn't have this type of upbringing'... that old world technique of, you know, nothing's given to you, you've gotta work for everything you've done... It's just different from what I'm seeing today.