Zitat des Tages über 1940er Jahre / 1940s:
When I was a child in the 1940s and early 1950s, my parents and grandparents spoke of Britain as home, and New Zealand had this strong sense of identity and coherence as being part of the commonwealth and a the identity of its people as being British.
I've often felt I've been born out of my time, and when I started Fairground Attraction in the 1980s, I wanted to be a 1940s jazz singer.
My parents had us very young. We lived in a modest house. We built forts, we hiked, we went camping and they wanted us to be independent. It's how children grew up in the 1940s and 50s: outside all the time, playing in the dirt, riding your bike around.
When I was a kid, I used to listen to my Emerson radio late at night under the covers. I started by listening to jazz in the late 1940s and then vocal harmony groups like the Four Freshmen, the Modernaires and the Hi-Lo's. I loved Stan Kenton's big band - with those dark chords and musicians who could swing cool with individual sounds.
When I listen to music from different eras, I sense different things. The 1940s music, there's so much optimism and romance, maybe because they just solved the biggest problem on Earth at that time - World War II. In the 1960s, there was so much creativity and innovation in sound.
I quite fancy the 1940s. I like the trams and the trousers.
I get quite excited about things other people have worn. I went through a phase as a student when I wore a lot of 1940s tea dresses.
The United States created the best popular songs that were ever written, and from the 1920s to the 1940s, it was a renaissance period. It stopped in 1950.
A few of Ellison's short stories from the 1940s and 1950s were widely anthologized over the years. After a while, it became generally known that he was at work on another novel. Though he remained aware ever afterward of the authority 'Invisible Man' gave to him, no second novel followed his brilliant debut in 1952.
Although I never marched through the streets shouting for Mao, I do believe that the liberation of China at the end of the 1940s was a wonderful thing and to provide its people with a billion pairs of shoes and trousers was a fantastic achievement.
I remember the 1940s as a time when we were united in a way known only to that generation. We belonged to a common cause-the war.
The beautiful 1940s women were a strong influence for me.
From the late 1940s, into and through the '50s, there developed a complex interaction between federal government, state and local government, real-estate interests, commercial interests and court decisions, which had the effect of undermining the mass transit system across the country.
England in the late 1940s was famously grim. As I remember it, London back then was a very dirty place, from coal dust and smoke, from the grit stirred up every day by the jackhammers still clearing out rubble from the Blitz.
It feels wonderful to be go back to the 1940s and recreate the whole era through my clothes, voice and body language. I am tired of playing the larger-than-life hero.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
In the 1940s, cigarettes would be shown in classy situations, endorsed by celebrities - real A-list Hollywood stars in America - the ads would make claims about tobacco quality or manufacturing science and, bizarrely, some brands had what almost amounted to health claims.
You ingest the automobile in the very air of Detroit. Or at least you did in the 1940s and 1950s.
If leaders in the space program had at its beginning in the 1940s, pointed out the benefits to people on earth rather than emphasizing the search for proof of evolution in space, the program would have saved $100 billion in tax money and achieved greater results.
When you start out with goals - mine were to play polytonally and polyrhythmically - you never exhaust that. I started doing that in the 1940s. It's still a challenge to discover what can be done with just those two elements.
Americans who grew up in the 1930s or 1940s still have some fleeting memory of what the country was like before it became the steroidal superpower it is today.
Of the great singing stars of the 1940s and '50s, only one - Nat King Cole - died young, at age 45.
In the middle 1940s... I heard everyone live. Painting, the theater; everything was happening. It was an exciting time when New York was the place to be.
This was the 1940s; there was no television. It was a different age - it was not swamped by media; it was swamped by reality, and storytelling was a very big art where I came from.
I really like to look like a history book. I can look 1940s, I can look 1970s hippie-chic, or sometimes I'll pull that '80s Brooklyn hip-hop kid with the door-knocker earrings.
So I'm a young boy in the 1940s growing up, seeing Ralph Bunche on a regular basis, seeing Duke Ellington on a regular basis. We know that these people are famous. They're living in the same community as we live in. They go to the same stores and shops.
As a Zionist youth leader in the 1940s, I was among those who called for a binational state in Mandatory Palestine. When a Jewish state was declared, I felt that it should have the rights of other states - no more, no less.
My folks met at the University of Oklahoma, in the theater department in the 1940s. They were married touring the country in 'Cinderella' and 'Snow White.' My mother was married in Cinderella's costume; the dwarves were the best men.
In the 1940s, about 20% of people in the U.S. had graduated from high school, but less than 5% continued their education to get bachelors' degrees or higher.
Hollywood style means classic glamour. My reference is the 1940s through the 1960s.
The latter 1940s and early '50s were a time of tense, explosive conflict, in the world at large and in the politics of our nation.
Of course, it's wonderful to film any period piece - but especially 'Foyle's War' because the art direction is so imaginative and yet at the same time so real. You can open a drawer on set, and even though the camera never sees what's inside, it'll be filled with genuine 1940s documents.
The president of the United States from the 1940s until 2017 was considered the leader of the free world - probably the most powerful person in the world - not simply in terms of America's military might but in terms of the moral authority of the president. Donald Trump has largely abdicated that.
In the early 1940s, as a young teenager, I was utterly appalled by the racist and jingoist hysteria of the anti-Japanese propaganda. The Germans were evil, but treated with some respect: They were, after all, blond Aryan types, just like our imaginary self-image. Japanese were mere vermin, to be crushed like ants.
In the late 1940s, there weren't any pop stars, and TV didn't exist.
'Close Encounters of the Third Kind' ends with the spaceship lands and Richard Dreyfuss' character best on, but a bunch of pilots and sailors from the 1940s get off. You kind of wanted to know what happened next.