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I think comedy's something you can't learn. It's an instinct, which makes it rather elusive.
You know how you get close to something you want and then you start doing things to ensure that you don't quite get it? I did a lot of that.
Every language teaches you something, so learning a language is never wasted, especially if it's different in more than just syntactic trivia.
You see something, then it clicks with something else, and it will make a story. But you never know when it's going to happen.
Tweeting about objects means I don't need to bid on them, which is a blessing. Buying something is a way of saying, 'Look at this!' So is tweeting. So, I guess, is writing fiction.
There are two schools of thought: There are those actors who explain to you that they know exactly how they're going to do the part... And then there is the other method, which is to have no method at all. This is mine.
I always wanted to be good at something, to be somebody. The minute I got into my first play, which was called 'Excuse My Dust' - I was 17 at the time - I knew that this was what I'd been looking for.
What's fascinating is that when you write a script, it's almost a stream of consciousness. You have an idea that it means something, but you're not always sure what. Then when you get on the set, the actors teach you.
If you're going to collect things because you think they have value, then don't collect. For me, you have to be obsessed, and there has to be something educational.
