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I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.
I've learned a lot about what kind of actor I want or do not want to be while being on set. I sit back and observe how other actors treat the totem pole of set politics.
The people who were against the Vietnam War thought I was attacking the Army. The guys in the Army thought I was representing their experiences. I was on both sides, and I survived.
The Vietnam War and the Iraq war, in different ways, both made me feel like I could not not address them. I'm very doubtful about the usefulness of poetry to do that.
My first professional acting job was in 'Hair' during the Vietnam War. So I think I've always been drawn to projects with a social conscience.
The novel is always pop art, and the novel is always dying. That's the only way it stays alive. It does really die. I've been thinking about that a lot.
Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
Young writers only take off when they find their subjects. Since almost everyone has a family and stories about family, that is often a place to start.