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I was a Sedgewick without the smarts. It infused its way into me and I feel like it formed my character in a big way because of what I was exposed to.
Everyone should fail in a big way at least once before reaching forty.
The scene is never really about moving the story forward on 'Breaking Bad.' That's the functional veneer of the scene, but it's always about what's going on with the characters.
I didn't know how to kill off a character unless I was able, as a narrator, to get really complicated. Because it was a big deal. I'd never killed a character before.
I really like doing puppetry; I'm not sure if it will find its way into 'Big Bang,' but it always does seem to find its way into a lot of things.
Although this is a fictitious story the history is real. You don't want to re-write history but you certainly want to portray events and characters as realistically as you can.
There is always one person on the set who has a lot of anxiety, an actor who is really intense and has to stay in character and holds himself away from the rest of us.
I had wanted to be a regular character on a series for a while. 'The Brady Bunch' was an answer to a prayer.
I believe black characters in fiction are still revolutionary, given our long history of erasure.