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When you play characters, you shouldn't just be putting on their characteristics - you should be finding it inside yourself.
If you're well-known, you're at the risk of becoming your own character. When you're alone, as a writer, you have to be unknown, putting it all on the paper.
As your career goes on, you get to flex your brain a little more and play characters that are stronger and more intelligent.
Character isn't something you were born with and can't change, like your fingerprints. It's something you weren't born with and must take responsibility for forming.
I've always enjoyed shows like 'The X-Files,' where you're on the edge of your seat and you're so invested in these characters.
If you're soft and fuzzy, like our little characters, you become the skinny kid on the beach, and people in this business don't mind kicking sand in your face.
We did have that, in the background of the character and the show, 'Mindhorn,' set on the Isle of Man, that every episode they would have to mention the temperate microclimate of the Isle of Man.
We've had enough with the gun shows where you can buy from private sellers with no FBI background check.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
