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It only looks like I get to eat a lot of food on TV. I really just get the one bite and the crew and guests eat everything else.
I've played a lot of really smarmy people in film, and it can be real fun, don't get me wrong. But it can be characters I'm not as excited to explore.
I don't like to look back. I love the next challenge and don't keep awards. There are a few that are really important, but my parents have most of them.
It's been a lot of fun from script to script to get inside the mythology of 'Grimm.' We've been given a lot of freedom to explore the mythology as well as the backstories and interpersonal connections of the characters.
It's one of the most liberating things I experience in writing - letting yourself get rid of a gesture or character or plot point that always nagged, even if you couldn't admit to yourself that it did.
Every time I get a lot of money, I cry, and I got a lot of tears left.
The only day I will worry is if I stop getting exciting roles. As an actor, I have so much to give. There's a lot of fire and hunger in me to juice every part that I get.
I often draw from people in my own experience to base a character on, going back to my days with Mike Leigh.
In every movie, there's always some physical thing that triggers the character for me. In 'The Long Walk Home,' it was the girdle. Every time I'd put that girdle on, I'd feel my character wiggle to life.
