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The opportunities I've had to play really complex characters - which haven't been a lot, but some - you never get over them.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
I'm a mom. I work. I have a house to clean, things to organize. We all have certain similar needs, and I address them.
You're in everyone's homes every week as this character, and they feel like they know you, and then they start to really define you as this character that you portray.
I wanted to give readers the feeling of knowing the characters, a mental image.
I prefer playing characters that are going through turmoil. Most movie characters are just in service to the story.
I was fascinated by a compelling character embroiled in a controversial topic that told the story from a different point of view.
A conventional playwright tries to tell you more about the characters than they know about themselves.
To be the key player in creating and scoring goals, that's what I take pride in, and the thing I know how to do best.
