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I've never really had the opportunity to play something that's a complete departure from me yet.
It never felt real to me. I never felt I had complete ownership over Bond. Because you'd have these stupid one-liners - which I loathed - and I always felt phony doing them.
With 'Sin Nombre,' there are parts that I wish were longer. And with 'Jane Eyre' especially, there were parts that I had to compress that I thought it would have been really nice to spend more time with - to spend with the characters.
No matter how heinous someone's behaviour, if you make them a comic character, you can't expect people to hate them.
I don't believe that if one door closes, that's the end. You're in control of that, but you need to seek opportunities and prepare for them.
Inspector Rebus is a great character, so when the opportunity came up to revive the role for 'BBC Children in Need,' and really have a bit of fun with it, I was happy to take part.
I really do think that any deep crisis is an opportunity to make your life extraordinary in some way.
I hate it when characters know things but only reveal them when it's convenient to the story. I'd never do that. That's cheating.
That's where my heart has been for three decades is to really empower and allow all families the same kind of opportunities I've had for my kids.
