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It's always a mixture of fiction and your own story. It's more I recreate atmospheres and moods through songs.
With most other genres, you need movie stars. With horror, you just need a story.
I hate it when characters know things but only reveal them when it's convenient to the story. I'd never do that. That's cheating.
When you do a movie, you go to the location and get into your costume. It's part of your metamorphosis into your character, and it just made sense to do it.
The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
The older I get, the more I seek to use a plain prose style, concentrating more on story.
The way I navigate scenes is through what I perceive to be the emotional truth of the character: what he wants from moment to moment.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
'Prince of Persia' just didn't turn out to be what I thought it was going to be.
