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Scientifically, happiness is a choice. It is a choice about where your single processor brain will devote its finite resources as you process the world.
Things were here before you and will be here after you're gone. The geographic features, especially, give you a sense of your own place in the world and in time.
Everybody goes through a stage where you have it. And, all of a sudden, you don't have it anymore. You get older and the audience gets younger.
The great thing about films is that you have access to this whole world of experts who teach you the skills your character's supposed to have.
You have to make a decision whether it's a new product or you integrate it with an existing product. It takes time to work these things out.
Will and Tommy Lee are the only actors I've ever worked with where neither of them want to say any lines.
And that's another piece of advice I'll give junior writers; when you get to the point where they take you to lunch, let the editor suggest where to go.
People come up and say very nice things about my work, like, 'You were great in 'Blood Diamond!'
If you do not have vision to where you want your product to go, you will never get there.
