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I typically start out almost every speech I give making some kind of joke about me being in a wheelchair.
Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.
The boys know they're from Southeast Asia, and they have their food and their music and their friends, and they have a pride particular to them.
I don't particularly like babies. I don't mind them for about four minutes. That's my max. After that I can't quite see what everyone's fussing about.
I don't really try to pattern myself after any particular person. I pretty much make it up as I go along.
The idea of printing out something that's as scary as a tumor into its concrete form was something that spoke to me - there is something very liberating about that idea.
I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from.
Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!
We allow our ignorance to prevail upon us and make us think we can survive alone, alone in patches, alone in groups, alone in races, even alone in genders.