Außenseiter / Outsider Erfolgreich / Successful Gewebe / Tissue Jahre / Years Katalysator / Catalyst Menge / Amount Narbe / Scar Ohne / Without Platz / Place Sicher / Certain Sie / You Über / Over Um / Around Veränderung / Change Verlassen / Leaving
Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
There's only a certain amount of space in every ballet company. You're basically on a team. You want to succeed as a group but all want to have the same roles.
You don't want people who have never had to deal with adversity - you want people who have been able to deal successfully with adversity. That's what adds to society. Those are going to be the hardest-working, best people.
You have actors who begin at a certain young age and there's very little change in their technique and the depth of their performances; they're the same 30 years later.
You need to live in a dome initially, but over time you could terraform Mars to look like Earth and eventually walk around outside without anything on... So it's a fixer-upper of a planet.
If you're successful in what you do over a period of time, you'll start approaching records, but that's not what you're playing for. You're playing to challenge and be challenged.
The nice thing about the gallery shows is that without having to pay any money you can just go and see it.
It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
Certain people who care about me a lot have said 'You don't play the game, and if you don't play the game, you don't get picked for the team all the time.
