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A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.
I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.
There is a lot of hype about drama school, I think.
If I had gone to drama school, I wouldn't be sitting here now because it would have blanded me out; it would have just turned me into another actor.
I know how long it takes me to draw a page, how long it takes me to complete a project, how long I can work before my hand gives out, that sort of thing.
I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
Everyone in Hollywood who is successful becomes less successful at some point. I'm just trying to delay that fall for as long as I can.
I think Chappelle set the bar when he came out with his show. To be as great as him or greater you have to push it a little further - as long as there's substance in terms of the material.
