Entscheidend / Deciding Frauen / Women Gesucht / Wanted Ja wirklich / Really Künstler / Artists Menge / Lot Mögen / Like Nett / Kind Öffnen / Open Schien / Seemed Siebziger Jahre / Seventies Stark / Strong Starke Frauen / Strong Women Wurden / Were Zeichen / Characters Zeit / Time
Sometimes when you're a songwriter, you kind of have this egotistic thing: you just want to write something that you love, and you don't care about if people like it or not, but personally, I want to write something that people can jive to.
I just have that cop gene going on. I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.
I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.
There were some things that I found I really enjoyed singing about; like, on the title track, there's this film-noir character of a woman who's sort of losing it in a room.
I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it.
When you're doing a series, you're really in a zone. You're thinking about those characters and their situations in a free-floating way all the time. They live with you all the time. So it's just as natural as breathing to be having ideas and thinking about what they're thinking about.
There are some men who are frightened by strong women and some men who are nurtured by them and feel nervous, with weak clinging vines. And I am very much of the latter category.
Really, at a time when they're debating when and where a nativity scene can be used, this is the kind of stuff we need to have out there - outside of the church.
I think that's something that people feel that I do really well; I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?
