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Shakespeare doesn't really write subtext, you play the subtext.
It doesn't seem Shakespeare works if you turn him into a religion.
If you read Shakespeare's stage directions, all the gore and violence is right in there.
You've got to keep the stage world and your real world separated or you're headed for trouble.
I teach at Harvard that the world and the heavens, and the stars are all real, but not so damned real, you see.
Sometimes you have to get to know someone really well to realize you're really strangers.
If you have to be in a soap opera try not to get the worst role.
When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.
You see all these movies of white men saving the world all the time.
