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I think, generally, I just cannot really envision life without writing and producing records and singing.
I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.
Mostly I work really unconsciously, and I think if the scenes are really well written, which they are, and if I just throw myself into it, I don't really think about it.
I know a lot of actors don't watch themselves on TV, but I think it's good to see how else you can improve.
Part of me becomes the characters I'm writing about. I think readers feel like they are there, the way I am, as a result.
I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.
I think that women really entwine with the people that they become close to in a way that men don't - and so, when they are forced to disentwine, you can't remove the vines without doing some damage.
I'm one of those actors who likes to do it wrong nine ways before I come to the tenth way, which is the way I think it should be.
I think the way Win Butler writes, I really identify with it. He writes very emotionally and very cinematically, and I just connect with his sensibility.